Publications

Please find an updated bibliography and pdf files HERE.

Conference Proceedings

• Mark Cartwright, Matt Jones and Hiroko Terasawa:
  "Rage in Conjunction with the Machine"
  Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME07, to appear)
  New York, NY (June 2007)


• Hiroko Terasawa, Malcolm Slaney and Jonathan Berger:
  "A Statistical Model of Timbre Perception"
  Proceedings of ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition (SAPA2006)
  Pittsburgh, PA (September 2006)


• Hiroko Terasawa, Malcolm Slaney and Jonathan Berger:
  "Determining the Euclidean Distance Between Two Steady State Sounds"
  Proceedings of 9th International Conference on Music Perception and Cognition (ICMPC9)
  Bologna, Italy (August 2006)


• Hiroko Terasawa, Malcolm Slaney and Jonathan Berger:
  "The Thirteen Colors of Timbre"
  Proceedings of IEEE WASPAA
  Mohonk, NY (October 2005)


• Hiroko Terasawa, Malcolm Slaney and Jonathan Berger:
  "A Timbre Space for Speech"
  Proceedings of Interspeech 2005 - Eurospeech
  Lisbon, Portugal (September 2005)


• Hiroko Terasawa, Jonathan Berger and Julius Smith:
  "Using A Perceptually Based Timbre Metric for Parameter Control Estimation in Physical Modeling Synthesis"
  Proceedings of International Computer Music Conference 2005
  Barcelona, Spain (September 2005)


• Hiroko Terasawa, Malcolm Slaney and Jonathan Berger:
  "Perceptual Distance in Timbre Space (in Japanese)"
  Proceedings of Summer Workshop
  Musical Acoustics Research Group, Acoustical Society of Japan
  Tokyo, Japan (August 2005)


• Hiroko Terasawa, Jonathan Berger and Julius Smith:
  "Using A Perceptually Based Timbre Metric for Parameter Control Estimation in Physical Modeling Synthesis (in Japanese)"
  Proceedings of SIGMUS Summer Symposium
  Keihanna, Japan (August 2005)


• Hiroko Terasawa, Malcolm Slaney and Jonathan Berger:
  "Perceptual Distance in Timbre Space"
  Proceedings of ICAD 05 - Eleventh Meeting of the International Conference on Auditory Display
  Limerick, Ireland (July 2005)


• Hiroko Shiraiwa, Rodrigo Segnini and Vivian Woo:
  "Sound Kitchen: Designing a Chemically Controlled Musical Performance"
  Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03)
  Montreal, Canada (May 2003)


• Hiroko Shiraiwa, Kenshi Kishi, and Isao Nakamura:
  "Physical modeling synthesis of recorder sound"
  Abstract for the 145th ASA meeting, Nashville 2003
  J. Acoust. Soc. Am. 113, 2216 (April 2003)


• Hiroko Shiraiwa, Kenshi Kishi and Isao Nakamura:
  "Physical Modeling Synthesis of Recorder Sound (in Japanese)"
  Proceedings of Meeting of Musical Acoustics Research Group
  Acoustical Society of Japan, March 2002 (March 2002)


• Hiroko Shiraiwa and Kenshi Kishi:
  "Young's Modulus Measurement by Finite Element Method and Frequency Analysis of Struck Sound (in Japanese)"
  Proceedings of Fall Meeting of Acoustical Society of Japan 2000 (September 2000)

Talks

• Hiroko Terasawa, Malcolm Slaney, Jonathan Berger:
  "Perceptual Distance in Timbre Space"
  CCRMA open house 2005
• Malcolm Slaney, Hiroko Shiraiwa-Terasawa, Regaip Sen:
  "Phase in the Nonlinear Brain"
  Pre-CoSyNe workshop on Auditory Processing of Vocalizations and other Complex Sounds
  Cold Spring Harbor Laboratory, New York, March 23 2004
• Hirko Terasawa:
  "Pitch Drift in Choral Music"
  CCRMA Open House 2004
• Hiroko Terasawa, Rodrigo Segnini, Vivian Woo:
  "Sound Kitchen"
  CCRMA Open House 2003