Extensions to the 2D Waveguide Mesh for Modeling Thin Plate Vibrations
The 2D Waveguide Mesh computes realistic-sounding simulations of struck plates. The early 90’s saw an initial flurry of development on the model but it hasn’t yet found the greater musical use that its interesting sonic qualities suggest are possible.
The overall project goal is a synthesis instrument for real-time music performance and studio composition.
Real-time rectilinear mesh using 4-port scattering junctions and unit delays
no allpass, only lowpass
allpass (order 4) with stretch factor = 0
stretch factor = 0.73
signal dependent, passive nonlinearity "A Passive Nonlinear Digital Filter Design Which Facilitates Physics-based Sound Synthesis of Highly Nonlinear Musical Instruments," John Pierce and Scott Van Duyne, 1997
signal dependent stretch factor (pie pan)
Swinging in space simulated by wavefield synthesis
Knoll Building (100 years ago) CO2 = 300 ppm
Knoll Building (CCRMA today) CO2 = 400 ppm
Jordan Rudess, keyboardist and instrument designer
Ceribell, Inc. Brain Stethoscope
this slide deck available at
https://ccrma.stanford.edu/~cc/deck.js/polito19
Stanford AI Lab: CCRMA 1960's until 1985
CCRMA founded 1974
Life at the AI Lab: robot cart
robot arm
Space Wars game
John McCarthy
Les Earnest
always volleyball
visitors from France (founding IRCAM)
Sunset computer music concerts 1980's
After SAIL left for main campus, we needed our own computer
and we rewired the whole building
Foonly F2 arrives
F2 computer and Jan Mattox
Samson Box and Gareth Loy
300 MB disk packs and Mike McNabb
Andrew Nelson's charting of the impact of Chowning's Frequency Modulation invention