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MetaPiano: Aspects of Sound in Art (ASA)

Workshop Date: 
Mon, 06/15/2015 - Fri, 06/19/2015
Sasha Leitman, Elaine Buckholtz, and Floor van de Velde                               
CCRMA Summer Workshop Main Page
 
Description:  
Acoustic. Electronic. Analog. Digital. Interactive. Sound. Art. Installation. 



Join us in MetaPiano where we will deconstruct and build an entirely new sound sculpture from two upright pianos. Whether you are an artist who wants to incorporate sound into their art or a musician looking to compose an installation, come spend a week playing and learning with us. Elaine Buckholtz and Sasha Leitman enjoy blurring the relationship between sound and image and share a passion for creating supportive learning environments where curiosity provokes innovative idea to take shape.

This is a project based class where hands on skills will be taught along side technical, theoretical and artistic learning. People of all computer skill levels welcome in this learning environment. Concepts and processes of sculptural form as related to sound and acoustics will be introduced through daily, short presentations and screenings. MetaPiano offers a chance to work collaboratively with students from different disciplines – artists, engineers, designers, etc. – to integrate kinetics, sculpture, and sound in an experiment that will result in a newly imagined, interactive sound sculpture.

During five days, this hands-on class will build on students’ pre-existing skills and knowledge while introducing new fabrication skills. Students immediately start working on projects the first day and are expected to finish an installation/ sculpture by the last. Students will have the opportunity to cover topics ranging from basic acoustics, making inexpensive microphones, repurposing electronics, sticking speakers in strange places, transforming spaces, use acoustic resonators, etc. In addition, the class will cover aspects of creative practice including creating artistic goals, what makes a good piece, creating satisfying work that is within your technical, financial, and time constraints.

Each group of students brings a unique set of interests and abilities and we will tailor the workshop to engage the desires of the group. This has worked wonderfully in past iterations of this workshop and the instructors enjoy making sure each student walks away from the course able to apply the things that they have learned to their future creative work.

** Note: Students may also work on independent, focused sound projects during this class.


Questions: sleitman@ccrma.stanford.edu

Times:  6/15 - 6/19, 10am - 5pm        (24 hour access to the prototyping lab during the workshop)
 
 
Elaine Buckholtz's most recent work utilizes video and light in relation to sculptural forms, digital prints, and preexisting sites in architecture and nature under the cover of darkness.   She has shown work at The Swiss Technorama Museum, Winterthur Switzerland, Yerba Buena Center For The Arts, San Francisco, California, The Claremont Museum in Southern California, Pierogi Leipzig, Leipzig Germany, The Luggage Store in San Francisco,The San Francisco Arts Commission, California College of The Arts, Stanford University, The Wexner Center For The Arts, Sun Valley Center For The Arts, and Fusion Art Space, San Francisco, California.   Elaine attended The California College Of The Arts on a Jacob K. Javits Fellowship from 2002-2004 and received her MFA from Stanford University in 2006. She currently teaches at Stanford University in the Art and Art History department as an adjunct faculty member. She has worked as a Lighting and Visual Designer in the bay area for 20 years and has also worked with Merce Cunningham and Meredith Monk recreating their visual environments internationally. She continues to tour with Meredith Monk as a Lighting Designer.
 
Sasha Leitman is a musician, artist and inventor who is currently the projects manager at the Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University.  She has been making musical instruments, new interfaces for musical expression and sound art installations for ten years.  Her most recent large scale project was an adult-sized musical playground that was premiered at the Burning Man Art Festival.  Currently, she is working on a set of instruments designed for street performance in San Francisco's Fisherman's Wharf.

South African artist Floor van de Velde is an interdisciplinary artist who combines sculpture, sound, photography, and light in a variety of formats, from discrete interventions to room-size installations. Floor received a Master of Science in Art, Culture and Technology from MIT in 2014, and currently teaches at the School of the Museum of Fine Arts. She is also a Co-Provocateur of San Francisco-based art collective Nighthouse Studio.

 
 



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