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Bibliography

1
E. J. Berdahl and J. O. Smith, ``Transfer function measurement toolbox,'' June 2007,
http://ccrma.stanford.edu/realsimple/imp_meas/.

2
H. Chamberlin, Musical Applications of Microprocessors,
New Jersey: Hayden Book Co., Inc., 1980.

3
J. Dattorro, ``The implementation of recursive digital filters for high-fidelity audio,'' Journal of theEngineering
Soc
, vol. 36, pp. 851-878, Nov. 1988,
Comments, ibid. (Letters to the Editor), vol. 37, p. 486 (1989 June); Comments, ibid. (Letters to the Editor), vol. 38, pp. 149-151 (1990 Mar.).

4
D. A. Jaffe and J. O. Smith, ``Extensions of the Karplus-Strong plucked string algorithm,'' Computer Music Journal, vol. 7, no. 2, pp. 56-69, 1983.

5
M. Karjalainen and U. K. Laine, ``A model for real-time sound synthesis of guitar on a floating-point signal processor,'' in Proceedings of the
Int
ConfOn Acoustics, Speech, and Signal Processing, Toronto
, vol. 5, (New York), pp. 3653-3656, IEEE Press, May 1991.

6
M. Karjalainen, V. Välimäki, and T. Tolonen, ``Plucked string models: From the Karplus-Strong algorithm to digital waveguides and beyond,'' Computer Music Journal, vol. 22, pp. 17-32, Fall 1998,
available online at http://www.acoustics.hut.fi/~ vpv/publications/cmj98.htm.

7
K. Karplus and A. Strong, ``Digital synthesis of plucked string and drum timbres,'' Computer Music Journal, vol. 7, no. 2, pp. 43-55, 1983.

8
N. Lee and J. O. Smith, ``Virtual stringed instruments,'' Dec. 2007,
http://ccrma.stanford.edu/realsimple/phys_mod_overview/.

9
Y. Orlarley, A. Gräf, and S. Kersten, ``DSP programming with Faust, Q and SuperCollider,'' in Proceedings of theth InternationalAudio ConferenceLAC2006), http://lac.zkm.de/2006/proceedings.shtml, 2006,
http://www.grame.fr/pub/lac06.pdf.

10
B. Santo, ``Volume cranked up in amp debate,'' Electronic Engineering Times, pp. 24-35, October 3, 1994,
http://www.trueaudio.com/at_eetjlm.htm.

11
J. O. Smith, Techniques for Digital Filter Design and System Identification with Application to the Violin,
PhD thesis, Elec. EngineeringDepartment., Stanford University (CCRMA), June 1983,
Available as CCRMA Technical Report STAN-M-14.

12
J. O. Smith, Introduction to Digital Filters with Audio Applications,
http://w3k.org/books/: W3K Publishing, 2007,
http://ccrma.stanford.edu/~ jos/filters/.

13
J. O. Smith, Mathematics of the Discrete Fourier Transform (DFT), with Audio Applications, Second Edition,
http://w3k.org/books/: W3K Publishing, 2007,
http://ccrma.stanford.edu/~ jos/mdft/.

14
J. O. Smith, Physical Audio Signal Processing,
http://ccrma.stanford.edu/~ jos/pasp/, Aug. 2007,
online book.

15
J. O. Smith, ``Signal processing in Faust and Pd,'' Nov. 2007,
http://ccrma.stanford.edu/realsimple/faust/.

16
T. Stilson, Efficiently Variable Algorithms in Virtual-Analog Music Synthesis--a Root-Locus Perspective,
PhD thesis, Elec. EngineeringDepartment., Stanford University (CCRMA), June 2006,
http://ccrma.stanford.edu/~ stilti/.

17
C. R. Sullivan, ``Extending the Karplus-Strong algorithm to synthesize electric guitar timbres with distortion and feedback,'' Computer Music Journal, vol. 14, pp. 26-37, Fall 1990.

18
V. Välimäki, Discrete-Time Modeling of Acoustic Tubes Using Fractional Delay Filters,
PhD thesis, Report no. 37, Helsinki University of Technology, Faculty of Electrical
Eng , LaboratoryAcoustic and Audio Signal Processing, Espoo, Finland, Dec. 1995,
http://www.acoustics.hut.fi/ vpv/publications/vesa_phd.html.

19
R. VanderKam, ``class project,'' spring 1991.


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Download faust_strings.pdf

``Making Virtual Electric Guitars and Associated Effects Using Faust'', by Julius O. Smith III,
REALSIMPLE Project — work supported in part by the Wallenberg Global Learning Network .
Released 2013-08-22 under the Creative Commons License (Attribution 2.5), by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),   Stanford University
CCRMA