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E. J. Berdahl and J. O. Smith, ``Transfer function measurement toolbox,'' June
2007,
http://ccrma.stanford.edu/realsimple/imp_meas/.
- 2
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H. Chamberlin, Musical Applications of Microprocessors,
New Jersey: Hayden Book Co., Inc., 1980.
- 3
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J. Dattorro, ``The implementation of recursive digital filters for
high-fidelity audio,'' Journal of theEngineering
Soc , vol. 36,
pp. 851-878, Nov. 1988,
Comments, ibid. (Letters to the Editor), vol. 37, p. 486 (1989 June);
Comments, ibid. (Letters to the Editor), vol. 38, pp. 149-151 (1990 Mar.).
- 4
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D. A. Jaffe and J. O. Smith, ``Extensions of the Karplus-Strong plucked
string algorithm,'' Computer Music Journal, vol. 7, no. 2,
pp. 56-69, 1983.
- 5
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M. Karjalainen and U. K. Laine, ``A model for real-time sound synthesis of
guitar on a floating-point signal processor,'' in Proceedings of the
Int
ConfOn Acoustics, Speech, and Signal Processing, Toronto, vol. 5, (New York),
pp. 3653-3656, IEEE Press, May 1991.
- 6
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M. Karjalainen, V. Välimäki, and T. Tolonen, ``Plucked string models:
From the Karplus-Strong algorithm to digital waveguides and beyond,'' Computer Music Journal, vol. 22, pp. 17-32, Fall 1998,
available online at
http://www.acoustics.hut.fi/~
vpv/publications/cmj98.htm.
- 7
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K. Karplus and A. Strong, ``Digital synthesis of plucked string and drum
timbres,'' Computer Music Journal, vol. 7, no. 2, pp. 43-55,
1983.
- 8
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N. Lee and J. O. Smith, ``Virtual stringed instruments,'' Dec. 2007,
http://ccrma.stanford.edu/realsimple/phys_mod_overview/.
- 9
-
Y. Orlarley, A. Gräf, and S. Kersten, ``DSP programming with Faust, Q
and SuperCollider,'' in Proceedings of theth InternationalAudio ConferenceLAC2006),
http://lac.zkm.de/2006/proceedings.shtml,
2006,
http://www.grame.fr/pub/lac06.pdf.
- 10
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B. Santo, ``Volume cranked up in amp debate,'' Electronic Engineering
Times, pp. 24-35, October 3, 1994,
http://www.trueaudio.com/at_eetjlm.htm.
- 11
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J. O. Smith, Techniques for Digital Filter Design and System
Identification with Application to the Violin,
PhD thesis, Elec. EngineeringDepartment., Stanford University (CCRMA), June
1983,
Available as CCRMA Technical Report STAN-M-14.
- 12
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J. O. Smith, Introduction to Digital Filters with Audio Applications,
http://w3k.org/books/:
W3K Publishing, 2007,
http://ccrma.stanford.edu/~
jos/filters/.
- 13
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J. O. Smith, Mathematics of the Discrete Fourier Transform (DFT), with
Audio Applications, Second Edition,
http://w3k.org/books/:
W3K Publishing, 2007,
http://ccrma.stanford.edu/~
jos/mdft/.
- 14
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J. O. Smith, Physical Audio Signal Processing,
http://ccrma.stanford.edu/~
jos/pasp/, Aug. 2007,
online book.
- 15
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J. O. Smith, ``Signal processing in Faust and Pd,'' Nov. 2007,
http://ccrma.stanford.edu/realsimple/faust/.
- 16
-
T. Stilson, Efficiently Variable Algorithms in Virtual-Analog Music
Synthesis--a Root-Locus Perspective,
PhD thesis, Elec. EngineeringDepartment., Stanford University (CCRMA), June
2006,
http://ccrma.stanford.edu/~
stilti/.
- 17
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C. R. Sullivan, ``Extending the Karplus-Strong algorithm to synthesize
electric guitar timbres with distortion and feedback,'' Computer
Music Journal, vol. 14, pp. 26-37, Fall 1990.
- 18
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V. Välimäki, Discrete-Time Modeling of Acoustic Tubes Using
Fractional Delay Filters,
PhD thesis, Report no. 37, Helsinki University of Technology, Faculty
of Electrical
Eng , LaboratoryAcoustic and Audio Signal Processing, Espoo,
Finland, Dec. 1995,
http://www.acoustics.hut.fi/ vpv/publications/vesa_phd.html.
- 19
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R. VanderKam, ``class project,'' spring 1991.
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