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Web Article
Werner, K. J., "The Roland TR-808 and the Tale of the Marching Anteaters", Sounding Board: Ethnomusicology Review, 2015. Abstract
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Thesis
Scavone, G. P., "An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design", Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
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Wang, G., The ChucK Audio Programming Language, , vol. PhD: Princeton University, 2008. Abstract
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Hirschman, S., "Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments", Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
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Chomyszyn, J., Distance of Sound in Reverberant Fields, , vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.
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Borish, J., "Electronic Simulation of Auditorium Acoustics", Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.
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Moreno, E., "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
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Mellinger, D. K., "Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
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Grey, J. M., "An Exploration of Musical Timbre", Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
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Gillespie, B., "Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action", Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
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Cook, P., "Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
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Igoudin, A., "Impact of MIDI on Electroacoustic Art Music", Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
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Cohen, E. A., The Influence of Nonharmonic Partials on Tone Perception, , vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
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Wang, A. L. - C., "Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation", Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
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Bryan, N., "Interactive Sound Source Separation", Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014. Abstract
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Sheeline, C., "An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
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Diener, G., "Modeling Music Notation: A Three-Dimensional Approach", Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
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Strawn, J., "Modeling Musical Transitions", Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
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Mysore, G. J., "A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures", Music, vol. PhD: Stanford University, 06/2010.
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Dyer, An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control, , vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
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Schloss, W. A., "On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis", Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
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Moorer, J. A., "On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
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Gordon, J. W., "Perception of Attack Transients in Musical Tones", Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
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Keisler, D., "Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity", Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
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Moore, F. R., "Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
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Trautmann, S. D., "Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction", Department of Music, vol. Ph.D., no. STAN-M-96: Stanford University, 12/1995.
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McAdams, S., "Spectral Fusion, Spectral Parsing and the Formation of Auditory Images", Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
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Serra, X., "A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition", Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
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Smith III, J. O., "Techniques for Digital Filter Design and System Identification with Application to the Violin", Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
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Lu, H. - L., "Toward a High-Quailty Singing Synthesizer with Vocal Texture Control", Electrical Engineering, vol. Ph.D., no. STAN-M-111, Stanford, CA, Stanford University, 07/2002.
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Lo, Y. O., "Towards a Theory of Timbre", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-42, Stanford, CA, Stanford University, 08/1987.
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Werner, K. J., "Virtual Analog Modeling of Audio Circuitry Using Wave Digital Filters", CCRMA / Music, vol. Ph.D. in Computer-Based Music Theory and Acoustics, Stanford, Stanford University, pp. 261, 12/2016. Abstract
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Bilbao, S., "Wave and Scattering Methods for the Numerical Integration of Partial Differential Equation", Electrical Engineering, vol. Ph.D., no. STAN-M-108, Stanford, California, Department of Electrical Engineering, Stanford University, 05/2001.
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Software
Braun, D., DawDreamer: Bridging the Gap Between Digital Audio Workstations and Python Interfaces, , 2021. Abstract
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Report
Scavone, G. P., "The 2003 CCRMA Open House", CCRMA Overview, April 2003, 2003.
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Levitine, D. J., Absolute Memory for Musical Pitch: More Than The Melody Lingers On, , Stanford, CA, Stanford University, CCRMA, 06/1992.
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Abe, M., and J. O. Smith III, AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling, , no. STAN-M-118: Stanford University, Department of Music, 2004.
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Mathews, M. V., and J. R. Pierce, The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.
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Chowning, J., and C. Sheeline, Auditory Distance Perception Under Natural Sounding Conditions, Final Report, , no. STAN-M-12: Stanford University Department of Music, 1982.
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Schottstaedt, B., Automatic Species Counterpoint, , Stanford, CA, CCRMA, 05/1984.
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Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
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