Publications

List
Filter

Export 289 results:

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Kornstaedt, A., " A Flexible Slide-In System for Computer-Assisted Musicological Analysis", 5th World Multiconference on Systemics, Cybernetics and Informatics, vol. 10, pp. 51-56, 2001. Abstract

Scavone, G. P., "The 2003 CCRMA Open House", CCRMA Overview, April 2003, 2003.

Levitine, D. J., Absolute Memory for Musical Pitch: More Than The Melody Lingers On, , Stanford, CA, Stanford University, CCRMA, 06/1992.

Scavone, G. P., "An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design", Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.

Berdahl, E., and J. O. Smith III, "Active Damping of a Vibrating String", Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.

Nam, J., V. Välimäki, J. S. Abel, and J. O. Smith III, "Alias-free virtual analog oscillators using a feedback delay loop", the 12th Int. Conference on Digital Audio Effects, Como, Italy, 09/2009. Abstract

Välimäki, V., J. Nam, J. O. Smith III, and J. S. Abel, "Alias-suppressed oscillators based on differentiated polynomial waveforms", IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010. Abstract

Smith III, J. O., "An Allpass Approach to Digital Phasing and Flanging", International Computer Music Conference, Paris, 1984.

Abe, M., and J. O. Smith III, AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling, , no. STAN-M-118: Stanford University, Department of Music, 2004.

Chin, S. H. L., and J. Berger, "Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology", Journal of New Music Research, vol. 39, issue 1, 05/2010.

George, E. B., and M. J. T. Smith, "Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones", J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.

Lee, K. S., N. Bryan, and J. S. Abel, "Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure", Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), Graz, Austria, 09/2010. Abstract

Mathews, M. V., and J. R. Pierce, The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.

Smith III, J. O., "Audio FFT Filter Banks", Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.

Liu, Y. - W., and J. O. Smith III, "Audio Watermarking through Deterministic plus Stochastic Signal Decomposition", EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007. Abstract

Chowning, J., and C. Sheeline, Auditory Distance Perception Under Natural Sounding Conditions, Final Report, , no. STAN-M-12: Stanford University Department of Music, 1982.

Schottstaedt, B., Automatic Species Counterpoint, , Stanford, CA, CCRMA, 05/1984.

Hamilton, R., "Back To The Sea: A Software Realization of Dexter Morrill's "Sea Songs"", International Computer Music Conference, Copenhagen, Denmark, 08/30/2007, 2009. Abstract

Werner, K. J., and M. Sanganeria, "Bit Bending: an Introduction", International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, 09/2013. Abstract

Mont-Reynaud, B., The Bounded-Q approach to time-varying spectral analysis, , Stanford, CA, Stanford University, CCRMA, 1986.

Chafe, C., Bowed String Synthesis and Its Control From a Physical Model, , no. STAN-M-32, replaced by STAN-M-48: Stanford University Department of Music, 07/1985.

Hamilton, R., "Building Interactive Networked Musical Environments Using q3osc", AES 35th International Conference: Audio for Games, London, UK, 2009. Abstract

Kornstaedt, A., "CCARH's Musical Databases on the Web: A Gold Mine for Musicologists", Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998. Abstract

Scavone, G. P., CCRMA Overview April 2003, , Stanford, CA, CCRMA, 04/2003.

Leistikow, R., and G. P. Scavone, CCRMA Overview, April 2000, , Stanford, CA, Stanford University, CCRMA, 04/2000.

Scavone, G. P., CCRMA Overview, April 2002, , Stanford, CA, Stanford University, CCRMA, 04/2002.

Scavone, G. P., CCRMA Overview, February 1999, , Stanford, CA, Stanford University, CCRMA, 02/1999.

Scavone, G. P., CCRMA Overview, January 1998, , Stanford, CA, Stanford University, 01/1998.

Nichols, C., CCRMA Overview, July 2001, , Stanford, CA, Stanford University, CCRMA, 07/2001.

Cook, P., S. Hirschman, and J. O. Smith III, "CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.

Chafe, C., P. Cook, Morrill, J. O. Smith III, and S. van Duyne, "CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.

Smith III, J. O., D. Rochesso, S. van Duyne, D. P. Berners, G. P. Scavone, P. Cook, J. R. Pierce, B. Gillespie, F. Lopez-Lezcano, J. Chomyszyn, et al., CCRMA Papers Presented at the 1994 International Computer Music Conference, Arhus, Denmark, , 09/1994.

Bauman, M. L., D. P. Berners, C. Chafe, P. Cook, D. A. Jaffe, T. Kunze, F. Lopez-Lezcano, G. P. Scavone, J. O. Smith III, T. Stilson, et al., "CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada", International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.

Chafe, C., A. Igoudin, D. A. Jaffe, M. Karjalainen, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, N. Porcaro, W. Putnam, et al., "CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong", International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.

Berger, J., C. Chafe, A. Igoudin, D. A. Jaffe, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, P. Scandalis, G. P. Scavone, et al., "CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece", International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.

Scavone, G. P., CCRMA Publications, 1970-1995, , Stanford, CA, Stanford University, CCRMA, 01/1996.

Igoudin, A., and J. O. Smith III, CCRMA Report, May 1996, , Stanford, CA, Stanford University, CCRMA, 05/1996.

Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.

Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.

Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.

Search this site:

Fall Courses at CCRMA

Music 1A Music, Mind, and Human Behavior
Music 101 Introduction to Creating Electronic Sounds
Music 192A Foundations in Sound Recording Technology
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 223A Composing Electronic Sound Poetry
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320 Introduction to Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 451A Auditory EEG Research I

Main menu

Secondary menu

Publications

Search this site:

Fall Courses at CCRMA