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Abe, M., and J. O. Smith III, Design Criteria for the Quadratically Interpolated FFT Method (I): Bias due to Interpolation, , no. STAN-M-114: Stanford University, Department of Music, 2004.

Abe, M., and J. O. Smith III, AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling, , no. STAN-M-118: Stanford University, Department of Music, 2004.

Abe, M., and J. O. Smith III, Design Criteria for the Quadratically Interpolated FFT Method (II): Bias due to Interfering Components, , no. STAN-M-115: Stanford University, Department of Music, 2004.

Abe, M., and J. O. Smith III, Design Criteria for the Quadratically Interpolated FFT Method (III): Bias due to Amplitude and Frequency Modulation, , no. STAN-M-116: Stanford University, Department of Music, 2004.

Abe, M., and J. O. Smith III, "Design Criteria for Simple Sinusoidal Parameter Estimation based on Quadratic Interpolation of FFT Magnitude Peaks", Audio Engineering Society Convention, San Francisco, New York, Audio Engineering Society, 2004.

Abe, M., and J. O. Smith III, CQIFFT: Correcting Bias in a Sinusoidal Parameter Estimator based on Quadratic Interpolation of FFT Magnitude Peaks, , no. STAN-M-117: Stanford University, Department of Music, 2004.

Abel, J. S., and J. O. Smith III, "Restoring a Clipped Signal", Proc. Int. Conf. Acoustics, Speech, and Signal Processing, Toronto, New York, IEEE Press, 1991.

Abel, J. S., and K. J. Werner, "Live Auralization of Cappella Romana at the Bing Concert Hall, Stanford University", Aural Architecture in Byzantium: Music, Acoustics, and Ritual: Routledge, 2017. Abstract

Abel, J. S., N. Bryan, P. Huang, M. Kolar, and B. Pentcheva, "On Estimating Room Impulse Responses From Recorded Balloon Pops", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010. Abstract

Abel, J. S., and J. O. Smith III, "Robust Design of Very High-Order Allpass Dispersion Filters", Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.

Abel, J. S., P. Huang, and J. O. Smith III, "Waveguide Mesh Reverberator with Internal Decay and Diffusion Structures", Proceedings of the 123rd Convention of the Audio Engineering Society, New York, preprint 7194, 2007.

Abel, J. S., and K. J. Werner, "Distortion and Pitch Processing Using a Modal Reverberator Architecture", International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015. Abstract

Abel, J. S., N. Bryan, T. Skare, M. Kolar, P. Huang, D. Mostowfi, and J. O. Smith III, "A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements", 127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009. Abstract

Abel, J. S., T. Smyth, and J. O. Smith III, "A Simple, Accurate Wall Loss Filter for Acoustic Tubes", Proc. Conf. Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept., 2003.

Bauman, M. L., D. P. Berners, C. Chafe, P. Cook, D. A. Jaffe, T. Kunze, F. Lopez-Lezcano, G. P. Scavone, J. O. Smith III, T. Stilson, et al., "CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada", International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.

Berdahl, E., G. Niemeyer, and J. O. Smith III, "Feedback Control of Acoustic Musical Instruments", STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.

Berdahl, E., J. O. Smith III, and G. Niemeyer, "Feedback control of acoustic musical instruments: Collocated control using physical analogs", The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012. Abstract

Berdahl, E., and J. O. Smith III, "A Tangible Virtual String", Proc. 2008 Conf. on New Instruments for Musical Expression (NIME-08), Geneva, Italy, 2008.

Berdahl, E., and J. O. Smith III, "Active Damping of a Vibrating String", Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.

Berdahl, E., G. Niemeyer, and J. O. Smith III, "A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010. Abstract

Berdahl, E., and J. O. Smith III, Transfer Function Measurement Toolbox, , 2007.

Berdahl, E., and J. O. Smith III, "Some Physical Audio Effects", Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.

Berdahl, E., D. Harris, G. Niemeyer, and J. O. Smith III, "An electroacoustic sound transmission system that is stable in any (dissipative) acoustic environment: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010. Abstract

Berdahl, E., and J. O. Smith III, Impulse Response Measurement Toolbox, , 2008.

Berdahl, E., and J. O. Smith III, "Inducing Unusual Dynamics in Acoustic Musical Instruments", Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.

Berger, J., C. Chafe, A. Igoudin, D. A. Jaffe, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, P. Scandalis, G. P. Scavone, et al., "CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece", International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.

Berger, M., "The GRIP MAESTRO: Balancing Large- and Small-scale Aspects of Emotive Gestural Control for Live Electroacoustic Musical Performance", Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2010. Abstract

Berger, M., "Skeleton: the Decayed Remnants of Time. An Investigation of Memory Through Sound.", Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2009. Abstract

Bernardini, A., K. J. Werner, A. Sarti, and J. S. O. III, "Modeling Nonlinear Wave Digital Elements using the Lambert Function", IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 63, issue 8, 08/2016. Abstract

Bernardini, A., K. J. Werner, A. Sarti, and J. S. O. III, "Multi-Port NonLinearities in Wave Digital Structures", IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015. Abstract

Bernardini, A., K. J. Werner, A. Sarti, and J. S. O. III, "Modeling a Class of Multi-Port NonLinearities in Wave Digital Structures", European Signal Processing Conference (EUSIPCO), Nice, France, August/2015. Abstract

Bilbao, S., and J. O. Smith III, "Energy-conserving Finite Difference Schemes for Nonlinear Strings", Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.

Bilbao, S., and J. O. Smith III, "Energy-conserving Finite Difference Schemes for Nonlinear Strings", EURASIP Journal on Applied Signal Processing, vol. 4, 2004.

Bilbao, S., "Wave and Scattering Methods for the Numerical Integration of Partial Differential Equation", Electrical Engineering, vol. Ph.D., no. STAN-M-108, Stanford, California, Department of Electrical Engineering, Stanford University, 05/2001.

Bilbao, S., and J. O. Smith III, "Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion", IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.

Borish, J., "Electronic Simulation of Auditorium Acoustics", Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.

Bosi, M., "MPEG Audio Compression Basics", The MPEG Representation of Digital Media: Springer, 2012.

Bosi, M., A Real-Time System for Spatial Distribution of Sound, , no. STAN-M-66: Stanford University Department of Music, 08/1990.

Bryan, N., J. Herrera, and G. Wang, "User-Guided Variable-Rate Time-Stretching Via Stiffness Control", 15th International Conference on Digital Audio Effects, York, United Kingdom, 09/2012. Abstract

Bryan, N., "Interactive Sound Source Separation", Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014. Abstract

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Fall Courses at CCRMA

Music 32N Stanford Introductory Seminar: Sculpting with Sounds, Images, and Words
Music 192A Foundations of Sound Recording Technology
Music 192C Session Recording
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 220D Research Topics in Computer Music
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320A Introduction to Digital Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 421N Deep Learning for Music and Audio
Music 451A Auditory EEG Research I

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