Publications
]
Design Criteria for the Quadratically Interpolated FFT Method (II): Bias due to Interfering Components,
, no. STAN-M-115: Stanford University, Department of Music, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (III): Bias due to Amplitude and Frequency Modulation,
, no. STAN-M-116: Stanford University, Department of Music, 2004.
"Design Criteria for Simple Sinusoidal Parameter Estimation based on Quadratic Interpolation of FFT Magnitude Peaks",
Audio Engineering Society Convention, San Francisco, New York, Audio Engineering Society, 2004.
CQIFFT: Correcting Bias in a Sinusoidal Parameter Estimator based on Quadratic Interpolation of FFT Magnitude Peaks,
, no. STAN-M-117: Stanford University, Department of Music, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (I): Bias due to Interpolation,
, no. STAN-M-114: Stanford University, Department of Music, 2004.
AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling,
, no. STAN-M-118: Stanford University, Department of Music, 2004.
"Robust Design of Very High-Order Allpass Dispersion Filters",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"Waveguide Mesh Reverberator with Internal Decay and Diffusion Structures",
Proceedings of the 123rd Convention of the Audio Engineering Society, New York, preprint 7194, 2007.
"Distortion and Pitch Processing Using a Modal Reverberator Architecture",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"A Simple, Accurate Wall Loss Filter for Acoustic Tubes",
Proc. Conf. Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept., 2003.
"A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements",
127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009.
Abstract
"Restoring a Clipped Signal",
Proc. Int. Conf. Acoustics, Speech, and Signal Processing, Toronto, New York, IEEE Press, 1991.
"Live Auralization of Cappella Romana at the Bing Concert Hall, Stanford University",
Aural Architecture in Byzantium: Music, Acoustics, and Ritual: Routledge, 2017.
Abstract
"On Estimating Room Impulse Responses From Recorded Balloon Pops",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010.
Abstract
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
"A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes",
NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
Abstract
"Some Physical Audio Effects",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"An electroacoustic sound transmission system that is stable in any (dissipative) acoustic environment: An application of sound portholes",
NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
Abstract
Impulse Response Measurement Toolbox,
, 2008.
"Inducing Unusual Dynamics in Acoustic Musical Instruments",
Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
"Feedback Control of Acoustic Musical Instruments",
STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.
"Feedback control of acoustic musical instruments: Collocated control using physical analogs",
The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012.
Abstract
"A Tangible Virtual String",
Proc. 2008 Conf. on New Instruments for Musical Expression (NIME-08), Geneva, Italy, 2008.
"Active Damping of a Vibrating String",
Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.
"The GRIP MAESTRO: Balancing Large- and Small-scale Aspects of Emotive Gestural Control for Live Electroacoustic Musical Performance",
Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2010.
Abstract
"Skeleton: the Decayed Remnants of Time. An Investigation of Memory Through Sound.",
Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2009.
Abstract
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"Multi-Port NonLinearities in Wave Digital Structures",
IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015.
Abstract
"Generalized Wave Digital Filter Realizations of Arbitrary Reciprocal Connection Networks",
IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 66, issue 2, pp. 694–707, 09/2018, 2019.
Abstract
"Modeling a Class of Multi-Port NonLinearities in Wave Digital Structures",
European Signal Processing Conference (EUSIPCO), Nice, France, August/2015.
Abstract
"Modeling Nonlinear Wave Digital Elements using the Lambert Function",
IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 63, issue 8, 08/2016.
Abstract
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
EURASIP Journal on Applied Signal Processing, vol. 4, 2004.
"Wave and Scattering Methods for the Numerical Integration of Partial Differential Equation",
Electrical Engineering, vol. Ph.D., no. STAN-M-108, Stanford, California, Department of Electrical Engineering, Stanford University, 05/2001.
"Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion",
IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.
"Electronic Simulation of Auditorium Acoustics",
Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.
"MPEG Audio Compression Basics",
The MPEG Representation of Digital Media: Springer, 2012.
A Real-Time System for Spatial Distribution of Sound,
, no. STAN-M-66: Stanford University Department of Music, 08/1990.
