Publications
]
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
On the Loudness of Complex, Time-Variant Tones,
, Stanford, CA, Stanford University, CCRMA, 1975.
Overview, September 1994,
, Stanford, CA, Stanford University, CCRMA, 09/1994.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work),
, Stanford, CA, Stanford University, CCRMA, 03/1988.
Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
PLA - A Tutorial and Reference Manual,
, Stanford, CA, Stanford University, CCRMA, 12/1984.
Pulsed Noise and Microtransients in Physical Models of Musical Instruments,
, no. STAN-M-65: Stanford University Department of Music, sep, 1990.
A Real-Time System for Spatial Distribution of Sound,
, no. STAN-M-66: Stanford University Department of Music, 08/1990.
Recognition of Complex Auditory-Spatial Patterns,
, Stanford, CA, Stanford University, CCRMA, 06/1991.
Reverberation Cancellation in Musical Signals Using Adaptive Filters,
, no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
The Role of Psychoacoustics in Computer Music,
, Stanford, CA, CCRMA, 06/1987.
Simulation of Music Instrument Tones in Reverberant Environments, Final Report,
: Stanford University Department of Music, 05/1978.
Temporal Constraints on Apparent Motion in Auditory Space,
, Stanford, CA, Stanford University, CCRMA, 11/1991.
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA),
, Stanford, CA, Stanford University, CCRMA, 10/1993.
TTREES: An Active Data Structure for Computer Music,
, Stanford, California, Stanford University, 05/1988.
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design",
Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
The ChucK Audio Programming Language,
, vol. PhD: Princeton University, 2008.
Abstract
"Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments",
Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
Distance of Sound in Reverberant Fields,
, vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.
"Electronic Simulation of Auditorium Acoustics",
Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.
"Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach",
Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
"Event Formation and Separation in Musical Sound",
Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
"An Exploration of Musical Timbre",
Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
"Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action",
Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
"Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing",
Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
"Impact of MIDI on Electroacoustic Art Music",
Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
The Influence of Nonharmonic Partials on Tone Perception,
, vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation",
Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"Interactive Sound Source Separation",
Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014.
Abstract
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
"Modeling Music Notation: A Three-Dimensional Approach",
Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
"Modeling Musical Transitions",
Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
"A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures",
Music, vol. PhD: Stanford University, 06/2010.
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control,
, vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
"On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis",
Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer",
Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
"Perception of Attack Transients in Musical Tones",
Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
"Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity",
Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
"Real Time Interactive Computer Music Synthesis",
Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
