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Wang, A. L. - C., and J. O. Smith III, On Fast FIR Filters Implemented as Tail-Canceling IIR Filters, , Stanford, CA, Stanford University, CCRMA, 11/1994.
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Moorer, J. A., On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
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Van Duyne, S. A., and P. Wood, Overview, September 1994, , Stanford, CA, Stanford University, CCRMA, 09/1994.
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Serra, X., and P. Wood, OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work), , Stanford, CA, Stanford University, CCRMA, 03/1988.
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Mathews, M. V., Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements, , Stanford, CA, Stanford University, CCRMA, 05/1988.
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Schottstaedt, B., PLA - A Tutorial and Reference Manual, , Stanford, CA, Stanford University, CCRMA, 12/1984.
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Chafe, C., Pulsed Noise and Microtransients in Physical Models of Musical Instruments, , no. STAN-M-65: Stanford University Department of Music, sep, 1990.
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Bosi, M., A Real-Time System for Spatial Distribution of Sound, , no. STAN-M-66: Stanford University Department of Music, 08/1990.
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Lakatos, S., Recognition of Complex Auditory-Spatial Patterns, , Stanford, CA, Stanford University, CCRMA, 06/1991.
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Cook, P., Reverberation Cancellation in Musical Signals Using Adaptive Filters, , no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
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Gordon, J. W., The Role of Psychoacoustics in Computer Music, , Stanford, CA, CCRMA, 06/1987.
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Chowning, J., J. M. Grey, L. Rush, J. A. Moorer, and L. Smith, Simulation of Music Instrument Tones in Reverberant Environments, Final Report, : Stanford University Department of Music, 05/1978.
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Lakatos, S., Temporal Constraints on Apparent Motion in Auditory Space, , Stanford, CA, Stanford University, CCRMA, 11/1991.
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Oppenheim, D. V., Towards a Better Software-Design for Supporting Creative Musical Activity (CMA), , Stanford, CA, Stanford University, CCRMA, 10/1993.
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Diener, G., TTREES: An Active Data Structure for Computer Music, , Stanford, California, Stanford University, 05/1988.
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Software
Braun, D., DawDreamer: Bridging the Gap Between Digital Audio Workstations and Python Interfaces, , 2021. Abstract
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Thesis
Scavone, G. P., "An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design", Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
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Wang, G., The ChucK Audio Programming Language, , vol. PhD: Princeton University, 2008. Abstract
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Hirschman, S., "Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments", Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
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Chomyszyn, J., Distance of Sound in Reverberant Fields, , vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.
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Borish, J., "Electronic Simulation of Auditorium Acoustics", Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.
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Moreno, E., "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
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Mellinger, D. K., "Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
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Grey, J. M., "An Exploration of Musical Timbre", Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
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Gillespie, B., "Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action", Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
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Cook, P., "Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
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Igoudin, A., "Impact of MIDI on Electroacoustic Art Music", Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
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Cohen, E. A., The Influence of Nonharmonic Partials on Tone Perception, , vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
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Wang, A. L. - C., "Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation", Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
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Bryan, N., "Interactive Sound Source Separation", Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014. Abstract
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Sheeline, C., "An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
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Diener, G., "Modeling Music Notation: A Three-Dimensional Approach", Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
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Strawn, J., "Modeling Musical Transitions", Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
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Mysore, G. J., "A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures", Music, vol. PhD: Stanford University, 06/2010.
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Dyer, An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control, , vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
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Schloss, W. A., "On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis", Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
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Moorer, J. A., "On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
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Gordon, J. W., "Perception of Attack Transients in Musical Tones", Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
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Keisler, D., "Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity", Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
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Moore, F. R., "Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
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Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
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