Publications
]
Signal Processing in Faust and Pd,
, nov, 2007.
"The 2003 CCRMA Open House",
CCRMA Overview, April 2003, 2003.
Absolute Memory for Musical Pitch: More Than The Melody Lingers On,
, Stanford, CA, Stanford University, CCRMA, 06/1992.
AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling,
, no. STAN-M-118: Stanford University, Department of Music, 2004.
The Aquisition of Musical Percepts with a New Scale,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
Auditory Distance Perception Under Natural Sounding Conditions, Final Report,
, no. STAN-M-12: Stanford University Department of Music, 1982.
Automatic Species Counterpoint,
, Stanford, CA, CCRMA, 05/1984.
The Bounded-Q approach to time-varying spectral analysis,
, Stanford, CA, Stanford University, CCRMA, 1986.
Bowed String Synthesis and Its Control From a Physical Model,
, no. STAN-M-32, replaced by STAN-M-48: Stanford University Department of Music, 07/1985.
CCRMA Overview April 2003,
, Stanford, CA, CCRMA, 04/2003.
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
CCRMA Overview, April 2002,
, Stanford, CA, Stanford University, CCRMA, 04/2002.
CCRMA Overview, February 1999,
, Stanford, CA, Stanford University, CCRMA, 02/1999.
CCRMA Overview, January 1998,
, Stanford, CA, Stanford University, 01/1998.
CCRMA Overview, July 2001,
, Stanford, CA, Stanford University, CCRMA, 07/2001.
CCRMA Publications, 1970-1995,
, Stanford, CA, Stanford University, CCRMA, 01/1996.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
Computer Simulation of Music Instrument Tones in Reverberant Environments,
, no. STAN-M-1: Stanford University Department of Music, 1974.
The Conductor Program and Mechanical Baton,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
Coupled Structural-Acoustic Systems. Application to Stringed Instruments,
, no. STAN-M-119: Stanford University, Department of Music, 2004.
CQIFFT: Correcting Bias in a Sinusoidal Parameter Estimator based on Quadratic Interpolation of FFT Magnitude Peaks,
, no. STAN-M-117: Stanford University, Department of Music, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (I): Bias due to Interpolation,
, no. STAN-M-114: Stanford University, Department of Music, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (II): Bias due to Interfering Components,
, no. STAN-M-115: Stanford University, Department of Music, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (III): Bias due to Amplitude and Frequency Modulation,
, no. STAN-M-116: Stanford University, Department of Music, 2004.
Designing Digital Instruments with Hierarchical Waveguide Networks,
, Stanford, California, Stanford University, 05/1988.
An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
"Feedback Control of Acoustic Musical Instruments",
STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.
A Generalized Approach to Automatic Recognition of Music Scores,
, no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
High Level Factors and the Musical Saliency of Auditory Phenomena,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
History and Principles of Microtonal Keyboard Design,
, Stanford, CA, Stanford University, CCRMA, 04/1988.
Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters,
, no. STAN-M-50: Stanford University Department of Music, 05/1988.
Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report,
, no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
Intelligent Analysis of Composite Acoustic Signals, Final Report,
, Stanford, California, Stanford University Department of Music, 05/1986.
Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report,
, no. STAN-M-15: Stanford University Department of Music, 1984.
Learning About Harmony with Harmony Space: an Overview,
, Stanford, CA, CCRMA, 09/1994.
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio,
, Stanford, California, Stanford University, 10/1995.
Music Applications of Digital Waveguides,
: Stanford University, 1987.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti,
, no. STAN-M-64: Stanford University Department of Music, 1990.
