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C
Chowning, J., Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti, , no. STAN-M-64: Stanford University Department of Music, 1990.
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Chowning, J., "The Synthesis of Complex Audio Spectra by Means of Frequency Modulation", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 21 (7), 526-534., 1973. Abstract
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Chowning, J., and C. Sheeline, Auditory Distance Perception Under Natural Sounding Conditions, Final Report, , no. STAN-M-12: Stanford University Department of Music, 1982.
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Chowning, J., J. M. Grey, L. Rush, J. A. Moorer, and L. Smith, Simulation of Music Instrument Tones in Reverberant Environments, Final Report, : Stanford University Department of Music, 05/1978.
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Chowning, J., "The Simulation of Moving Sound Sources", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971. Abstract
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Chowning, J., L. Rush, B. Mont-Reynaud, C. Chafe, W. A. Schloss, and J. O. Smith III, Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report, , no. STAN-M-15: Stanford University Department of Music, 1984.
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Chowning, J., J. M. Grey, L. Rush, and J. A. Moorer, Computer Simulation of Music Instrument Tones in Reverberant Environments, , no. STAN-M-1: Stanford University Department of Music, 1974.
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Chowning, J., and B. Mont-Reynaud, Intelligent Analysis of Composite Acoustic Signals, Final Report, , Stanford, California, Stanford University Department of Music, 05/1986.
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Chowning, J., J. M. Grey, J. A. Moorer, and L. Rush, Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report, , no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
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Chomyszyn, J., Distance of Sound in Reverberant Fields, , vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.
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Chin, S. H. L., and J. Berger, "Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology", Journal of New Music Research, vol. 39, issue 1, 05/2010.
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Chaigne, A., Coupled Structural-Acoustic Systems. Application to Stringed Instruments, , no. STAN-M-119: Stanford University, Department of Music, 2004.
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Chafe, C., Bowed String Synthesis and Its Control From a Physical Model, , no. STAN-M-32, replaced by STAN-M-48: Stanford University Department of Music, 07/1985.
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Chafe, C., A. Igoudin, D. A. Jaffe, M. Karjalainen, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, N. Porcaro, W. Putnam, et al., "CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong", International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
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Chafe, C., "Pulsed Noise in Self-Sustained Oscillations of Musical Instruments", Proceddings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, no. STAN-M-61, New York, IEEE Press, 01/1990.
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Chafe, C., "Simulating Performance on a Bowed Instrument", Current Directions in Computer Music: MIT Press, 05/1988, 1989.
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Chafe, C., and D. A. Jaffe, "Source Separation and Note Identification in Polyphonic Music", Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tokyo, no. STAN-M-34, New York, IEEE Press, 1986.
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Chafe, C., Pulsed Noise and Microtransients in Physical Models of Musical Instruments, , no. STAN-M-65: Stanford University Department of Music, sep, 1990.
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Chafe, C., and J. - P. Cáceres, "Temporal Separation in a Rhythmic Task", Perception, 2010.
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Chafe, C., P. Cook, Morrill, J. O. Smith III, and S. van Duyne, "CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
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Chafe, C., D. A. Jaffe, K. Kashima, B. Mont-Reynaud, and J. O. Smith III, "Techniques for Note Identification in Polyphonic Music", Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
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Cassidy, R. J., and J. O. Smith III, "Efficient Time-Varying Loudness Estimation via the Hopping Goertzel DFT", Proceedings of the IEEE International Midwest Symposium on Circuits and Systems (MWSCAS-2007), 2007.
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Cassidy, R. J., and J. O. Smith III, "Simulation of Recruiting Hearing Impairment Using a Tree-Structured Allpass-Complementary ERB-Band Filter Bank", IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, Demo Session, New Paltz, NY, pp. [TD1-8], oct, 2007.
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Cassidy, R. J., and J. O. Smith III, "An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals", Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
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Carter, N., A Generalized Approach to Automatic Recognition of Music Scores, , no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
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Cáceres, J. - P., and C. Chafe, "JackTrip: Under the Hood of an Engine for Network Audio", Proceedings of International Computer Music Conference, San Francisco, California, International Computer Music Association, pp. 509–512, 2009.
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Cáceres, J. - P., G. J. Mysore, and J. Treviño, "SCUBA: the Self-Contained Unified Bass Augmenter", New Interfaces for Musical Expression, pp. 38–41, 2005.
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Cáceres, J. - P., and C. Chafe, "JackTrip/SoundWIRE Meets Server Farm", Computer Music Journal, vol. 34, no. 3, 2010.
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Cáceres, J. - P., and C. Chafe, "JackTrip: Under the Hood of an Engine for Network Audio", Journal of New Music Research, vol. 38, no. 3, 2010.
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Cáceres, J. - P., R. Hamilton, D. Iyer, C. Chafe, and G. Wang, "To the Edge with China: Explorations in Network Performance", ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.
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Cáceres, J. - P., and C. Chafe, "JackTrip/SoundWIRE Meets Server Farm", Proceedings of 6th Sound and Music Computing Conference, Porto, Portugal, pp. 95–98, 2009.
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Cáceres, J. - P., and A. B. Renaud, "Playing the Network: the Use of Time Delays as Musical Devices", International Computer Music Conference, pp. 244-250, 2008.
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Cáceres, J. - P., "Synchronization and acoustics in network performance.", The Journal of the Acoustical Society of America, vol. 124, no. 4, pp. 2489, 2008.
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B
Bryan, N., and G. Mysore, "Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates", IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013. Abstract
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Bryan, N., and J. S. Abel, "Methods For Extending Room Impulse Responses Beyond Their Noise Floor", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010. Abstract
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Bryan, N., J. Herrera, and G. Wang, "User-Guided Variable-Rate Time-Stretching Via Stiffness Control", 15th International Conference on Digital Audio Effects, York, United Kingdom, 09/2012. Abstract
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Bryan, N., "Interactive Sound Source Separation", Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014. Abstract
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Bryan, N., J. Herrera, J. Oh, and G. Wang, MoMu: A Mobile Music Toolkit, , Sydney, Australia, 06/2010. Abstract
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Bryan, N., and G. Mysore, "An Efficient Posterior Regularized Latent Variable Model for Interactive Sound Source Separation", International Conference on Machine Learning, Atlanta, GA, 06/2013. Abstract
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Bryan, N., and G. Wang, "Two Turntables and a Mobile Phone", International Conference on New Interfaces for Musical Expression, Oslo, Norway, 05/2011. Abstract
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101 Introduction to Creating Electronic Sound
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