- News and Events
- User Guides
An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds, , Stanford, CA, Stanford University, CCRMA, 05/1988.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work), , Stanford, CA, Stanford University, CCRMA, 03/1988.
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
"Composing for Laptop Orchestra", Computer Music Journal, pp. 32(1):9-25, 2008.
"“Separation by Humming”: User Guided Sound Extraction from Monophonic Mixtures", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 2009.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation", International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters", IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
"An Allpass Approach to Digital Phasing and Flanging", International Computer Music Conference, Paris, 1984.
"A New Approach to Digital Reverberation Using Closed Waveguide Networks", International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
"Audio FFT Filter Banks", Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.
Music Applications of Digital Waveguides, : Stanford University, 1987.
"Techniques for Digital Filter Design and System Identification with Application to the Violin", Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
"Physical Modeling Using Digital Waveguides", Computer Music Journal, vol. 16, issue 4, 12/1992.
"Proceedings of the 15th International Congress on Acoustics", International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
FIR Digital Filter Design, , Winter, 1992.
Signal Processing in Faust and Pd, , nov, 2007.
"Introduction to Digital Filter Theory", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
"Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion", Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
"Modeling Musical Transitions", Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
"Common Music: A Music Composition Language in Common Lisp and CLOS", Computer Music Journal, vol. 15, issue 2, 07/1991.
"Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction", Department of Music, vol. Ph.D., no. STAN-M-96: Stanford University, 12/1995.
"Alias-suppressed oscillators based on differentiated polynomial waveforms", IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Overview, September 1994, , Stanford, CA, Stanford University, CCRMA, 09/1994.
"A History of Programming and Music", Cambridge Companion to Electronic Music: Cambridge University Press, 2008.
"The Laptop Orchestra as Classroom", Computer Music Journal, pp. 32(1):26-37, 2008.
"Combining Analysis and Synthesis in the ChucK Programming Language", International Computer Music Conference, Copenhagen, 2007.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters, , Stanford, CA, Stanford University, CCRMA, 11/1994.
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation", Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"The Mobile Phone Orchestra", Oxford Handbook of Mobile Music Studies: Oxford University Press, 2010.
The ChucK Audio Programming Language, , vol. PhD: Princeton University, 2008.
"Stanford Laptop Orchestra (SLOrk)", International Computer Music Conference, Montreal, 08/2009.
"Designing Smule's iPhone Ocarina", New Interfaces for Musical Expression, Pittsburgh, 2009.
"A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit", 17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, 09/2014.
"The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model", 40th International Computer Music Conference (ICMC) / 11th Sound and Music Computing Conference (SMC), Athens, Greece, 09/2014.
"More Cowbell: a Physically-Informed, Circuit-Bendable, Digital Model of the TR-808 Cowbell", 137th International Audio Engineering Society (AES) Conference, Los Angeles, CA, 10/2014.
"CCRMA Studio Report for ICMC 2009", International Computer Music Conference, 2009.
"CCRMA Studio Report", International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.