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"A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition", Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds, , Stanford, CA, Stanford University, CCRMA, 05/1988.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work), , Stanford, CA, Stanford University, CCRMA, 03/1988.
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
"Composing for Laptop Orchestra", Computer Music Journal, pp. 32(1):9-25, 2008.
"“Separation by Humming”: User Guided Sound Extraction from Monophonic Mixtures", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 2009.
"Introduction to Digital Filter Theory", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
"Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion", Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation", International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters", IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
"Audio FFT Filter Banks", Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.
"Doppler Simulation and the Leslie", Proc. COST-G6 Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, vol. 20, no. 2, New York, CCRMA, Stanford University, pp. 13–20, September 26, 2002.
"An Allpass Approach to Digital Phasing and Flanging", International Computer Music Conference, Paris, 1984.
"A New Approach to Digital Reverberation Using Closed Waveguide Networks", International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
FIR Digital Filter Design, , Winter, 1992.
Signal Processing in Faust and Pd, , nov, 2007.
Music Applications of Digital Waveguides, : Stanford University, 1987.
"Techniques for Digital Filter Design and System Identification with Application to the Violin", Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
"Physical Modeling Using Digital Waveguides", Computer Music Journal, vol. 16, issue 4, 12/1992.
"Proceedings of the 15th International Congress on Acoustics", International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
"Virtual Electric Guitars and Effects Using Faust and Octave", Proc. 6th Int. Linux Audio Conf. (LAC2008), http://lac.linuxaudio.org/, vol. 33, no. 3, Toronto, Canada, Systems Control Tech., pp. 1–10, Winter, 2008.
"Modeling Musical Transitions", Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
"Common Music: A Music Composition Language in Common Lisp and CLOS", Computer Music Journal, vol. 15, issue 2, 07/1991.
"Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction", Department of Music, vol. Ph.D., no. STAN-M-96: Stanford University, 12/1995.
"Alias-suppressed oscillators based on differentiated polynomial waveforms", IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Overview, September 1994, , Stanford, CA, Stanford University, CCRMA, 09/1994.
The ChucK Audio Programming Language, , vol. PhD: Princeton University, 2008.
"Stanford Laptop Orchestra (SLOrk)", International Computer Music Conference, Montreal, 08/2009.
"Designing Smule's iPhone Ocarina", New Interfaces for Musical Expression, Pittsburgh, 2009.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters, , Stanford, CA, Stanford University, CCRMA, 11/1994.
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation", Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"A History of Programming and Music", Cambridge Companion to Electronic Music: Cambridge University Press, 2008.
"The Laptop Orchestra as Classroom", Computer Music Journal, pp. 32(1):26-37, 2008.
"Combining Analysis and Synthesis in the ChucK Programming Language", International Computer Music Conference, Copenhagen, 2007.
"The Mobile Phone Orchestra", Oxford Handbook of Mobile Music Studies: Oxford University Press, 2010.
"CCRMA Studio Report for ICMC 2009", International Computer Music Conference, 2009.
"CCRMA Studio Report", International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.