Publications
]
CCRMA Overview, July 2001,
, Stanford, CA, Stanford University, CCRMA, 07/2001.
"Evolving The Mobile Phone Orchestra",
International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010.
Abstract
"Resolving Grouped Nonlinearities in Wave Digital Filters using Iterative Techniques",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Network Variable Preserving Step-size Control In Wave Digital Filters",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, United Kingdom, pp. 200–207, 09/2017.
Abstract
"DMIX: An Environment for Composition",
International Computer Music Conference, Columbus, Ohio, USA, CCRMA, 05/1989.
"Slappability: A New Metaphor for Human Computer Interaction",
World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA),
, Stanford, CA, Stanford University, CCRMA, 10/1993.
"DMIX- A Multi Faceted Environment for Composing and Performing Computer Music: Its Design, Philosophy, and Implementation",
Fourth Biennial Arts and Technology Symposium, Stanford, CA, CCRMA, 10/1993.
"Compositional Tools for Adding Expression to Music",
International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
"Variable Fractional Delay Filters in Bandlimited Oscillator Algorithms for Music Synthesis",
the 2010 International Conference on Green Circuits and Systems (ICGCS2010), Shanghai, China, 06/2010.
Abstract
High Level Factors and the Musical Saliency of Auditory Phenomena,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers",
IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
Abstract
"RTWDF—A modular wave digital filter library with support for arbitrary topologies and multiple nonlinearities",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Grain Proc: a Real-Time Granular Synthesis Interface for Live Performance",
NIME, Daejeon, Korea, 05/2013.
Abstract
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design",
Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
CCRMA Overview, January 1998,
, Stanford, CA, Stanford University, 01/1998.
CCRMA Overview, February 1999,
, Stanford, CA, Stanford University, CCRMA, 02/1999.
CCRMA Publications, 1970-1995,
, Stanford, CA, Stanford University, CCRMA, 01/1996.
"The 2003 CCRMA Open House",
CCRMA Overview, April 2003, 2003.
CCRMA Overview, April 2002,
, Stanford, CA, Stanford University, CCRMA, 04/2002.
CCRMA Overview April 2003,
, Stanford, CA, CCRMA, 04/2003.
"On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis",
Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
PLA - A Tutorial and Reference Manual,
, Stanford, CA, Stanford University, CCRMA, 12/1984.
Automatic Species Counterpoint,
, Stanford, CA, CCRMA, 05/1984.
"Characterization of Aperiodicity in Nearly Periodic Signals",
International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work),
, Stanford, CA, Stanford University, CCRMA, 03/1988.
"A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition",
Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
"Composing for Laptop Orchestra",
Computer Music Journal, pp. 32(1):9-25, 2008.
Abstract
"“Separation by Humming”: User Guided Sound Extraction from Monophonic Mixtures",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 2009.
Abstract
"Audio FFT Filter Banks",
Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.
Music Applications of Digital Waveguides,
: Stanford University, 1987.
"Techniques for Digital Filter Design and System Identification with Application to the Violin",
Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
"Physical Modeling Using Digital Waveguides",
Computer Music Journal, vol. 16, issue 4, 12/1992.
"Proceedings of the 15th International Congress on Acoustics",
International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
FIR Digital Filter Design,
, Winter, 1992.
"Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion",
Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
Signal Processing in Faust and Pd,
, nov, 2007.
