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Journal Article

Bilbao, S., and J. O. Smith III, "Energy-conserving Finite Difference Schemes for Nonlinear Strings", Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.

Bilbao, S., and J. O. Smith III, "Energy-conserving Finite Difference Schemes for Nonlinear Strings", EURASIP Journal on Applied Signal Processing, vol. 4, 2004.

Berdahl, E., J. O. Smith III, and G. Niemeyer, "Feedback control of acoustic musical instruments: Collocated control using physical analogs", The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012. Abstract

Bilbao, S., and J. O. Smith III, "Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion", IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.

Quirino, T., M. Kubat, and N. Bryan, "Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers", IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010. Abstract

Kapur, A., G. Wang, P. P. Davidson, and P. Cook, "Interactive Network Media: A Dream Worth Dreaming?", Organised Sound, pp. 10(3)209-219, 2007.

Cáceres, J. - P., and C. Chafe, "JackTrip/SoundWIRE Meets Server Farm", Computer Music Journal, vol. 34, no. 3, 2010.

Wang, G., D. Trueman, S. Smallwood, and P. Cook, "The Laptop Orchestra as Classroom", Computer Music Journal, pp. 32(1):26-37, 2008. Abstract

Hamilton, R., "Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance", Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008. Abstract

Werner, K. J., and J. S. Abel, "Modal Processor Effects Inspired by Hammond Tonewheel Organs", Applied Sciences, issue Special Issue: Audio Signal Processing, 2016. Abstract

Bernardini, A., K. J. Werner, A. Sarti, and J. S. O. III, "Modeling Nonlinear Wave Digital Elements using the Lambert Function", IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 63, issue 8, 08/2016. Abstract

Misra, A., G. Wang, and P. Cook, "Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008. Abstract

Wang, G., "Ocarina: Designing the iPhone's Magic Flute", Computer Music Journal, vol. 38, issue 2, 05/2014. Abstract

Smith III, J. O., "Physical Modeling Using Digital Waveguides", Computer Music Journal, vol. 16, issue 4, 12/1992.

Abel, J. S., and J. O. Smith III, "Robust Design of Very High-Order Allpass Dispersion Filters", Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.

Kornstaedt, A., "SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis", Computing in Musicology, vol. 10, pp. 122, 1996. Abstract

Abel, J. S., T. Smyth, and J. O. Smith III, "A Simple, Accurate Wall Loss Filter for Acoustic Tubes", Proc. Conf. Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept., 2003.

Chowning, J., "The Simulation of Moving Sound Sources", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971. Abstract

Werner, K. J., and F. Germain, "Sinusoidal Parameter Estimation Using Quadratic Interpolation Around Power-Scaled Magnitude Spectrum Peaks", Applied Sciences, issue Special Issue: Audio Signal Processing, 2016. Abstract

Hamilton, R., J. Smith, and G. Wang, "Social Composition: Musical Data Systems for Expressive Mobile Music", Leonardo Music Journal, vol. 21, 12/2011. Abstract

Berdahl, E., and J. O. Smith III, "Some Physical Audio Effects", Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.

Wang, G., "Some Principles of Visual Design for Computer Music", Leonardo Music Journal, vol. 26, 12/2016. Abstract

Jaffe, D. A., "Spectrum Analysis Tutorial - Parts I and II", Computer Music Journal, vol. 11, issue 2-3, no. STAN-M-33, 1987.

Lee, K. S., J. S. Abel, V. Välimäki, T. Stilson, and D. P. Berners, "The Switched Convolution Reverberator", The Journal of the Audio Engineering Society, vol. 60, issue 4, pp. 227-236, 04/2012. Abstract

Cáceres, J. - P., "Synchronization and acoustics in network performance.", The Journal of the Acoustical Society of America, vol. 124, no. 4, pp. 2489, 2008.

Moorer, J. A., "The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae", Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.

Chowning, J., "The Synthesis of Complex Audio Spectra by Means of Frequency Modulation", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 21 (7), 526-534., 1973. Abstract

Chafe, C., and J. - P. Cáceres, "Temporal Separation in a Rhythmic Task", Perception, 2010.

Kornstaedt, A., "Themefinder: A Web-based Melodic Search Tool", Computing in Musicology , vol. 11, pp. 231-236, 1998. Abstract

Wang, G., S. Salazar, J. Oh, and R. Hamilton, "World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music", Journal of New Music Research, vol. 44, issue 2, 11/2014, 2015. Abstract

Cáceres, J. - P., and C. Chafe, "JackTrip: Under the Hood of an Engine for Network Audio", Journal of New Music Research, vol. 38, no. 3, 2010.

Miscellaneous

Smith III, J. O., FIR Digital Filter Design, , Winter, 1992.

Smith III, J. O., Making Virtual Electric Guitars and Associated Effects Using Faust [DRAFT], , dec, 2007.

Smith III, J. O., Signal Processing in Faust and Pd, , nov, 2007.

Berdahl, E., and J. O. Smith III, Transfer Function Measurement Toolbox, , 2007.

Report

Scavone, G. P., "The 2003 CCRMA Open House", CCRMA Overview, April 2003, 2003.

Levitine, D. J., Absolute Memory for Musical Pitch: More Than The Melody Lingers On, , Stanford, CA, Stanford University, CCRMA, 06/1992.

Abe, M., and J. O. Smith III, AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling, , no. STAN-M-118: Stanford University, Department of Music, 2004.

Mathews, M. V., and J. R. Pierce, The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.

Chowning, J., and C. Sheeline, Auditory Distance Perception Under Natural Sounding Conditions, Final Report, , no. STAN-M-12: Stanford University Department of Music, 1982.

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Music 32N Stanford Introductory Seminar: Sculpting with Sounds, Images, and Words
Music 192A Foundations of Sound Recording Technology
Music 192C Session Recording
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 220D Research Topics in Computer Music
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320A Introduction to Digital Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 421N Deep Learning for Music and Audio
Music 451A Auditory EEG Research I

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