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Moreno, E., "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
Borish, J., "Electronic Simulation of Auditorium Acoustics", Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.
Cassidy, R. J., and J. O. Smith III, "Efficient Time-Varying Loudness Estimation via the Hopping Goertzel DFT", Proceedings of the IEEE International Midwest Symposium on Circuits and Systems (MWSCAS-2007), 2007.
Lopez-Lezcano, F., "A dynamic spatial locator ugen for CLM", Sound and Music Computing Conference, Berlin, Germany, 07/2008. Abstract
Smith III, J. O., S. Serafin, J. S. Abel, and D. P. Berners, "Doppler Simulation and the Leslie", Proc. COST-G6 Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, vol. 20, no. 2, New York, CCRMA, Stanford University, pp. 13–20, September 26, 2002.
Oppenheim, D. V., "DMIX: An Environment for Composition", International Computer Music Conference, Columbus, Ohio, USA, CCRMA, 05/1989.
Chomyszyn, J., Distance of Sound in Reverberant Fields, , vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.
Herrera, J., C. Hanson, and J. S. Abel, "Discrete Time Emulation of the Leslie Speaker", 127th Audio Engineering Society Convention, New York, NY, USA, 10/2009. Abstract
Hirschman, S., "Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments", Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
Wang, G., "Designing Smule's iPhone Ocarina", New Interfaces for Musical Expression, Pittsburgh, 2009. Abstract
Abe, M., and J. O. Smith III, "Design Criteria for Simple Sinusoidal Parameter Estimation based on Quadratic Interpolation of FFT Magnitude Peaks", Audio Engineering Society Convention, San Francisco, New York, Audio Engineering Society, 2004.
Dumitrescu, T., J. Kepper, A. Kornstaedt, D. Röwenstruck, P. Roland, C. Sapp, and E. Selfridge-Field, "The Dagstuhl Core", Knowledge representation for intelligent music processing, no. 09051, Dagstuhl, Germany, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany, 2009. Abstract
Chaigne, A., Coupled Structural-Acoustic Systems. Application to Stringed Instruments, , no. STAN-M-119: Stanford University, Department of Music, 2004.
Abel, J. S., N. Bryan, T. Skare, M. Kolar, P. Huang, D. Mostowfi, and J. O. Smith III, "A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements", 127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009. Abstract
Mathews, M V., and D. Barr, The Conductor Program and Mechanical Baton, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Mathews, M V., and J. R. Pierce, "The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.
Oppenheim, D. V., "Compositional Tools for Adding Expression to Music", International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
Bryan, N., P. Smaragdis, and G. Mysore, "Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012. Abstract
Schumacher, R. T., and C. Chafe, "Characterization of Aperiodicity in Nearly Periodic Signals", International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
Wilkerson, C., "CCRMA Studio Report for ICMC 2009", International Computer Music Conference, 2009. Abstract
Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.
Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.