Publications
]
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh",
Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
"Modeling Music Notation: A Three-Dimensional Approach",
Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
"Modeling Musical Transitions",
Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
"Modeling Nonlinear Wave Digital Elements using the Lambert Function",
IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 63, issue 8, 08/2016.
Abstract
"Modeling the Hammond Organ Vibrato/Chorus with Wave Digital Filters",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
MoMu: A Mobile Music Toolkit,
, Sydney, Australia, 06/2010.
Abstract
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio,
, Stanford, California, Stanford University, 10/1995.
"More Cowbell: a Physically-Informed, Circuit-Bendable, Digital Model of the TR-808 Cowbell",
137th International Audio Engineering Society (AES) Conference, Los Angeles, CA, 10/2014.
Abstract
"MPEG Audio Compression Basics",
The MPEG Representation of Digital Media: Springer, 2012.
"Multi-Port NonLinearities in Wave Digital Structures",
IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015.
Abstract
Music Applications of Digital Waveguides,
: Stanford University, 1987.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti,
, no. STAN-M-64: Stanford University Department of Music, 1990.
"Musical Influence Network Analysis and Rank of Sampled-Based Music",
12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.
Abstract
"Musical Tapestry: Re-composing Natural Sounds",
Journal of New Music Research, pp. 36(4):241-250, 2008.
Abstract
"Network Variable Preserving Step-size Control In Wave Digital Filters",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, United Kingdom, pp. 200–207, 09/2017.
Abstract
"A New Approach to Digital Reverberation Using Closed Waveguide Networks",
International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
"Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices",
Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.
"A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures",
Music, vol. PhD: Stanford University, 06/2010.
"Non-negative Hidden Markov Modeling of Audio with Application to Source Separation",
International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010.
Abstract
"NUTATION: Structural Organization Versus Graphical Generality in a Common Music",
International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control,
, vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
"Ocarina: Designing the iPhone's Magic Flute",
Computer Music Journal, vol. 38, issue 2, 05/2014.
Abstract
"On Estimating Room Impulse Responses From Recorded Balloon Pops",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010.
Abstract
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
"On Finding Rythmic Patterns in Musical Lines",
ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
"On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis",
Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
On the Loudness of Complex, Time-Variant Tones,
, Stanford, CA, Stanford University, CCRMA, 1975.
"On the Minimum-phase Nature of Head-Related Transfer Functions",
the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
Abstract
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer",
Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
"On-the-fly Programming: Using Code as an Expressive Musical Instrument",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
"Openmixer: a routing mixer for multichannel studios",
Linux Audio Conference 2010, Utrech, The Netherlands, 5/2010.
Abstract
"Optimizing Differentiated Discretization for Audio Circuits Beyond Driving Point Transfer Functions",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, 10/2017.
Abstract
"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals",
Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
Overview, September 1994,
, Stanford, CA, Stanford University, CCRMA, 09/1994.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work),
, Stanford, CA, Stanford University, CCRMA, 03/1988.
"PadMaster: an improvisation environment for real time performance",
International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
"PadMaster: banging on algorithms with alternative controllers",
International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation",
International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"Perception of Attack Transients in Musical Tones",
Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
