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"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals", Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
Overview, September 1994, , Stanford, CA, Stanford University, CCRMA, 09/1994.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work), , Stanford, CA, Stanford University, CCRMA, 03/1988.
"PadMaster: an improvisation environment for real time performance", International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
"PadMaster: banging on algorithms with alternative controllers", International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation", International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"Perception of Attack Transients in Musical Tones", Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
"Physical Modeling Using Digital Waveguides", Computer Music Journal, vol. 16, issue 4, 12/1992.
"A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
"A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit", 17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, 09/2014.
Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements, , Stanford, CA, Stanford University, CCRMA, 05/1988.
PLA - A Tutorial and Reference Manual, , Stanford, CA, Stanford University, CCRMA, 12/1984.
"The Planet CCRMA software collection", International Computer Music Conference, Göteborg, Sweden, International Computer Music Association, 2002.
"Playing the Network: the Use of Time Delays as Musical Devices", International Computer Music Conference, pp. 244-250, 2008.
"Proceedings of the 15th International Congress on Acoustics", International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
"Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity", Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
Pulsed Noise and Microtransients in Physical Models of Musical Instruments, , no. STAN-M-65: Stanford University Department of Music, sep, 1990.
"Pulsed Noise in Self-Sustained Oscillations of Musical Instruments", Proceddings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, no. STAN-M-61, New York, IEEE Press, 01/1990.
"q3osc: or How I Learned To Stop Worrying and Love The Game", International Computer Music Conference, Belfast, Ireland, 2008.
"The Quest for Noiseless Computers", Linux Audio Conference, Parma, Italy, 04/2009.
"Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
A Real-Time System for Spatial Distribution of Sound, , no. STAN-M-66: Stanford University Department of Music, 08/1990.
Recognition of Complex Auditory-Spatial Patterns, , Stanford, CA, Stanford University, CCRMA, 06/1991.
"Relative Pitch Estimation of Multiple Instruments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009.
"Restoring a Clipped Signal", Proc. Int. Conf. Acoustics, Speech, and Signal Processing, Toronto, New York, IEEE Press, 1991.
Reverberation Cancellation in Musical Signals Using Adaptive Filters, , no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
"A Reverberator with Two-Stage Decay and Onset Time Controls", 129th Audio Engineering Society Convention, San Francisco, CA, USA, 11/2010.
"Robust Design of Very High-Order Allpass Dispersion Filters", Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
The Role of Psychoacoustics in Computer Music, , Stanford, CA, CCRMA, 06/1987.
The Science of Sound Recording, , 1, Waltham, MA, Focal Press, pp. 256, 2012.
"SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis", Computing in Musicology, vol. 10, pp. 122, 1996.
"SCUBA: the Self-Contained Unified Bass Augmenter", New Interfaces for Musical Expression, pp. 38–41, 2005.
Signal Processing in Faust and Pd, , nov, 2007.
"A Simple, Accurate Wall Loss Filter for Acoustic Tubes", Proc. Conf. Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept., 2003.
"Simulating an Asymmetrically Saturated Nonlinearity Using an LNLNL Cascade", 133rd Audio Engineering Society Convention, San Francisco, CA, USA, 10/2012.
"Simulating Performance on a Bowed Instrument", Current Directions in Computer Music: MIT Press, 05/1988, 1989.
"The Simulation of Moving Sound Sources", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971.
Simulation of Music Instrument Tones in Reverberant Environments, Final Report, : Stanford University Department of Music, 05/1978.
"Simulation of Recruiting Hearing Impairment Using a Tree-Structured Allpass-Complementary ERB-Band Filter Bank", IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, Demo Session, New Paltz, NY, pp. [TD1-8], oct, 2007.