Publications
]
"q3osc: or How I Learned To Stop Worrying and Love The Game",
International Computer Music Conference, Belfast, Ireland, 2008.
Abstract
"Building Interactive Networked Musical Environments Using q3osc",
AES 35th International Conference: Audio for Games, London, UK, 2009.
Abstract
"maps and legends: FPS-Based Interfaces For Composition and Immersive Performance",
International Computer Music Conference, Copenhagen, Denmark, 2007.
Abstract
"Back To The Sea: A Software Realization of Dexter Morrill's "Sea Songs"",
International Computer Music Conference, Copenhagen, Denmark, 08/30/2007, 2009.
Abstract
"An Exploration of Musical Timbre",
Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
"An Introduction to the Phase Vocoder",
Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.
The Role of Psychoacoustics in Computer Music,
, Stanford, CA, CCRMA, 06/1987.
"Perception of Attack Transients in Musical Tones",
Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
"A Sine Generation Algorithm for VLSI Applications",
Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.
"Digitizing the Ibanez Weeping Demon Wah Pedal",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action",
Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio,
, Stanford, California, Stanford University, 10/1995.
"Speaker and Noise Independent Online Single Channel Speech Enhancement",
2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Brisbane, Australia, IEEE, 04/2015.
Abstract
"Design Principles for Lumped Model Discretisation Using Möbius Transforms",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Fixed-rate Modeling of Audio Lumped Systems: A Comparison Between Trapezoidal and Implicit Midpoint Methods",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
"Uniform Noise Sequences for Nonlinear System Identification",
15th International Conference on Digital Audio Effects (DAFx-12), York, UK, 09/2012.
Abstract
"Optimizing Differentiated Discretization for Audio Circuits Beyond Driving Point Transfer Functions",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, 10/2017.
Abstract
"Equalization matching of speech recordings in real-world environments",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Shanghai, China, IEEE, 03/2016.
Abstract
"Joint Parameter Optimization of Differentiated Discretization Schemes for Audio Circuits",
142nd International Convention of the Audio Engineering Society, Berlin, Germany, 05/2017.
Abstract
"Speech Denoising with Deep Feature Losses",
arXiv:1806.10522, 06/2018.
Abstract
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones",
J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
"Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control,
, vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
"The Fender Bassman 5F6-A Family of Preamplifier Circuits—A Wave Digital Filter Case Study",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"The Dagstuhl Core",
Knowledge representation for intelligent music processing, no. 09051, Dagstuhl, Germany, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany, 2009.
Abstract
TTREES: An Active Data Structure for Computer Music,
, Stanford, California, Stanford University, 05/1988.
"NUTATION: Structural Organization Versus Graphical Generality in a Common Music",
International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
"Modeling Music Notation: A Three-Dimensional Approach",
Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
Designing Digital Instruments with Hierarchical Waveguide Networks,
, Stanford, California, Stanford University, 05/1988.
"TweetDreams: Making music with the audience and the world using real-time Twitter data",
International Conference on New Interfaces For Musical Expression, Oslo, Norway, 05/2011.
Abstract
"Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract",
International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
"Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices",
Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.
"Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing",
Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada",
International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
Reverberation Cancellation in Musical Signals Using Adaptive Filters,
, no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
"Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work",
International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
"LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument",
International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters,
, no. STAN-M-50: Stanford University Department of Music, 05/1988.
The Influence of Nonharmonic Partials on Tone Perception,
, vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
