Publications
]
Absolute Memory for Musical Pitch: More Than The Melody Lingers On,
, Stanford, CA, Stanford University, CCRMA, 06/1992.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
"Towards a Theory of Timbre",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-42, Stanford, CA, Stanford University, 08/1987.
"CCRMA Studio Report",
International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
"PadMaster: an improvisation environment for real time performance",
International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
"From Jack to UDP packets to sound, and back",
Linux Audio Conference 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"The Planet CCRMA software collection",
International Computer Music Conference, Göteborg, Sweden, International Computer Music Association, 2002.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.
"The Quest for Noiseless Computers",
Linux Audio Conference, Parma, Italy, 04/2009.
Abstract
"PadMaster: banging on algorithms with alternative controllers",
International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"A dynamic spatial locator ugen for CLM",
Sound and Music Computing Conference, Berlin, Germany, 07/2008.
Abstract
"Surviving on Planet CCRMA, two years later and still alive",
International Computer Music Conference, Barcelona, Spain, 09/2005.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Copenhagen, Denmark, International Computer Music Association, 2007.
"CCRMA Studio Report",
International Computer Music Conference, La Habana, Cuba, International Computer Music Association, 2001.
"CCRMA Studio Report",
International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.
"Openmixer: a routing mixer for multichannel studios",
Linux Audio Conference 2010, Utrech, The Netherlands, 5/2010.
Abstract
"Toward a High-Quailty Singing Synthesizer with Vocal Texture Control",
Electrical Engineering, vol. Ph.D., no. STAN-M-111, Stanford, CA, Stanford University, 07/2002.
"The Computer as a Musical Instrument",
Scientific American, vol. 256, no. STAN-M-37, 1987.
Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
The Conductor Program and Mechanical Baton,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
The Aquisition of Musical Percepts with a New Scale,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
"Spectral Fusion, Spectral Parsing and the Formation of Auditory Images",
Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
"The Laptop Accordion",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
Abstract
"Event Formation and Separation in Musical Sound",
Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
"Musical Tapestry: Re-composing Natural Sounds",
Journal of New Music Research, pp. 36(4):241-250, 2008.
Abstract
"On Finding Rythmic Patterns in Musical Lines",
ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
The Bounded-Q approach to time-varying spectral analysis,
, Stanford, CA, Stanford University, CCRMA, 1986.
"Real Time Interactive Computer Music Synthesis",
Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer",
Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
On the Loudness of Complex, Time-Variant Tones,
, Stanford, CA, Stanford University, CCRMA, 1975.
"The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae",
Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
"Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach",
Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
"Non-negative Hidden Markov Modeling of Audio with Application to Source Separation",
International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010.
Abstract
"A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures",
Music, vol. PhD: Stanford University, 06/2010.
"Relative Pitch Estimation of Multiple Instruments",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009.
Abstract
"Alias-free virtual analog oscillators using a feedback delay loop",
the 12th Int. Conference on Digital Audio Effects, Como, Italy, 09/2009.
Abstract
"On the Minimum-phase Nature of Head-Related Transfer Functions",
the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
Abstract
"Efficient antialiasing oscillator algorithms using low-order fractional delay filters",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"Learnng Sparse Feature Representations For Music Annotation And Retrieval",
13th International Society for Music Information Retrieval Conference, Porto, Portugal, 10/2012.
Abstract
"A Method for Estimating Interaural Time Difference for Binaural Synthesis",
the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
Abstract
