Publications
]
"NUTATION: Structural Organization Versus Graphical Generality in a Common Music",
International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
"On Finding Rythmic Patterns in Musical Lines",
ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation",
International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes",
NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
Abstract
"Playing the Network: the Use of Time Delays as Musical Devices",
International Computer Music Conference, pp. 244-250, 2008.
"Proceedings of the 15th International Congress on Acoustics",
International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
"q3osc: or How I Learned To Stop Worrying and Love The Game",
International Computer Music Conference, Belfast, Ireland, 2008.
Abstract
"SCUBA: the Self-Contained Unified Bass Augmenter",
New Interfaces for Musical Expression, pp. 38–41, 2005.
"Slappability: A New Metaphor for Human Computer Interaction",
World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
"Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract",
International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
"To the Edge with China: Explorations in Network Performance",
ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.
"Variable Fractional Delay Filters in Bandlimited Oscillator Algorithms for Music Synthesis",
the 2010 International Conference on Green Circuits and Systems (ICGCS2010), Shanghai, China, 06/2010.
Abstract
"Alias-suppressed oscillators based on differentiated polynomial waveforms",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology",
Journal of New Music Research, vol. 39, issue 1, 05/2010.
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones",
J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
"Common Music: A Music Composition Language in Common Lisp and CLOS",
Computer Music Journal, vol. 15, issue 2, 07/1991.
"Composing for Laptop Orchestra",
Computer Music Journal, pp. 32(1):9-25, 2008.
Abstract
"The Computer as a Musical Instrument",
Scientific American, vol. 256, no. STAN-M-37, 1987.
"Design Criteria for Simple Sinusoidal Parameter Estimation based on Quadratic Interpolation of FFT Magnitude Peaks",
Audio Engineering Society Convention, San Francisco, New York, Audio Engineering Society, 2004.
"Efficient antialiasing oscillator algorithms using low-order fractional delay filters",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
EURASIP Journal on Applied Signal Processing, vol. 4, 2004.
"Feedback control of acoustic musical instruments: Collocated control using physical analogs",
The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012.
Abstract
"Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion",
IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers",
IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
Abstract
"Interactive Network Media: A Dream Worth Dreaming?",
Organised Sound, pp. 10(3)209-219, 2007.
"JackTrip/SoundWIRE Meets Server Farm",
Computer Music Journal, vol. 34, no. 3, 2010.
"The Laptop Orchestra as Classroom",
Computer Music Journal, pp. 32(1):26-37, 2008.
Abstract
"Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance",
Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008.
Abstract
"Musical Tapestry: Re-composing Natural Sounds",
Journal of New Music Research, pp. 36(4):241-250, 2008.
Abstract
"Physical Modeling Using Digital Waveguides",
Computer Music Journal, vol. 16, issue 4, 12/1992.
"Robust Design of Very High-Order Allpass Dispersion Filters",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis",
Computing in Musicology, vol. 10, pp. 122, 1996.
Abstract
"A Simple, Accurate Wall Loss Filter for Acoustic Tubes",
Proc. Conf. Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept., 2003.
"The Simulation of Moving Sound Sources",
Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971.
Abstract
"Some Physical Audio Effects",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"Spectrum Analysis Tutorial - Parts I and II",
Computer Music Journal, vol. 11, issue 2-3, no. STAN-M-33, 1987.
"The Switched Convolution Reverberator",
The Journal of the Audio Engineering Society, vol. 60, issue 4, pp. 227-236, 04/2012.
Abstract
