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Conference Proceedings
Hamilton, R., "Back To The Sea: A Software Realization of Dexter Morrill's "Sea Songs"", International Computer Music Conference, Copenhagen, Denmark, 08/30/2007, 2009. Abstract
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Kornstaedt, A., "CCARH's Musical Databases on the Web: A Gold Mine for Musicologists", Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998. Abstract
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Cook, P., S. Hirschman, and J. O. Smith III, "CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
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Chafe, C., P. Cook, Morrill, J. O. Smith III, and S. van Duyne, "CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
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Smith III, J. O., D. Rochesso, S. van Duyne, D. P. Berners, G. P. Scavone, P. Cook, J. R. Pierce, B. Gillespie, F. Lopez-Lezcano, J. Chomyszyn, et al., CCRMA Papers Presented at the 1994 International Computer Music Conference, Arhus, Denmark, , 09/1994.
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Schumacher, R. T., and C. Chafe, "Characterization of Aperiodicity in Nearly Periodic Signals", International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
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Oppenheim, D. V., "Compositional Tools for Adding Expression to Music", International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
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Oppenheim, D. V., "DMIX: An Environment for Composition", International Computer Music Conference, Columbus, Ohio, USA, CCRMA, 05/1989.
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Smith III, J. O., S. Serafin, J. S. Abel, and D. P. Berners, "Doppler Simulation and the Leslie", Proc. COST-G6 Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, vol. 20, no. 2, New York, CCRMA, Stanford University, pp. 13–20, September 26, 2002.
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Smith III, J. O., "Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion", Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
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Smith III, J. O., "Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters", IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
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Jaffe, D. A., "Ensemble Timing in Computer Music", International Computer Music Conference, no. STAN-M-23, Eastman School of Music, Rochester, N.Y., 1983.
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Hamilton, R., and C. Nanou, "For Jean-Claude: [re]Presenting Duet for One Pianist", International Computer Music Conference, Montreal, Canada, 08/2009. Abstract
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Wang, G., "Game Design for Expressive Mobile Music", New Interfaces for Musical Expression, Brisbane, Australia, 07/2016. Abstract
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Cook, P., "Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work", International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
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Kornstaedt, A., "The JRing System for Computer-Assisted Musicological Analysis", 2nd Annual International Symposium on Music Information Retrieval, pp. 93-98, 2001. Abstract
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Meacham, A., S. Kannan, and G. Wang, "The Laptop Accordion", New Interfaces for Musical Expression, Brisbane, Australia, 07/2016. Abstract
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Cook, P., "LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
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Author, V., "Linux Audio Conference 2012 Proceedings", Linux Audio Conference 2012, 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
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Hamilton, R., "maps and legends: FPS-Based Interfaces For Composition and Immersive Performance", International Computer Music Conference, Copenhagen, Denmark, 2007. Abstract
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Olsen, M. J., K. J. Werner, and F. G. Germain, "Network Variable Preserving Step-size Control In Wave Digital Filters", 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, United Kingdom, pp. 200–207, 09/2017. Abstract
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Smith III, J. O., "A New Approach to Digital Reverberation Using Closed Waveguide Networks", International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
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Diener, G., "NUTATION: Structural Organization Versus Graphical Generality in a Common Music", International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
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Mont-Reynaud, B., and M. Goldstein, "On Finding Rythmic Patterns in Musical Lines", ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
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Smith III, J. O., and X. Serra, "PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation", International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
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Cook, P., B. Gillespie, J. O. Smith III, Tanaka, and S. van Duyne, Physical Modeling and Signal Processing: CCRMA Papers Presented at the 1992 International Computer Music Conference, San Jose, CA, , no. STAN-M-80, oct, 1992.
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Berdahl, E., G. Niemeyer, and J. O. Smith III, "A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010. Abstract
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Cáceres, J. - P., and A. B. Renaud, "Playing the Network: the Use of Time Delays as Musical Devices", International Computer Music Conference, pp. 244-250, 2008.
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Smith III, J. O., "Proceedings of the 15th International Congress on Acoustics", International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
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Hamilton, R., "q3osc: or How I Learned To Stop Worrying and Love The Game", International Computer Music Conference, Belfast, Ireland, 2008. Abstract
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Cáceres, J. - P., G. J. Mysore, and J. Treviño, "SCUBA: the Self-Contained Unified Bass Augmenter", New Interfaces for Musical Expression, pp. 38–41, 2005.
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Oppenheim, D. V., "Slappability: A New Metaphor for Human Computer Interaction", World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
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Cook, P., "Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract", International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
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Cáceres, J. - P., R. Hamilton, D. Iyer, C. Chafe, and G. Wang, "To the Edge with China: Explorations in Network Performance", ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.
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Pekonen, J., V. Välimäki, J. Nam, J. S. Abel, and J. O. Smith III, "Variable Fractional Delay Filters in Bandlimited Oscillator Algorithms for Music Synthesis", the 2010 International Conference on Green Circuits and Systems (ICGCS2010), Shanghai, China, 06/2010. Abstract
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Journal Article
Välimäki, V., J. Nam, J. O. Smith III, and J. S. Abel, "Alias-suppressed oscillators based on differentiated polynomial waveforms", IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010. Abstract
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Chin, S. H. L., and J. Berger, "Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology", Journal of New Music Research, vol. 39, issue 1, 05/2010.
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George, E. B., and M. J. T. Smith, "Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones", J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
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Liu, Y. - W., and J. O. Smith III, "Audio Watermarking through Deterministic plus Stochastic Signal Decomposition", EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007. Abstract
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Wang, G., P. R. Cook, and S. Salazar, "ChucK: A Strongly-timed Computer Music Language", Computer Music Journal, vol. 39, issue 4, 12/2015. Abstract
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Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
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