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"ISSE: An Interactive Source Separation Editor", CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
"An Introduction to the Phase Vocoder", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.
"Introduction to Digital Filter Theory", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
"Interactive User-Feedback for Sound Source Separation", International Conference on Intelligent User-Interfaces (IUI), Workshop on Interactive Machine Learning, Santa Monica, 03/2013.
"Interactive Sound Source Separation", Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014.
"Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates", IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013.
"Interactive Network Media: A Dream Worth Dreaming?", Organised Sound, pp. 10(3)209-219, 2007.
Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report, , no. STAN-M-15: Stanford University Department of Music, 1984.
Intelligent Analysis of Composite Acoustic Signals, Final Report, , Stanford, California, Stanford University Department of Music, 05/1986.
Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report, , no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers", IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation", Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
The Influence of Nonharmonic Partials on Tone Perception, , vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
"Inferring Control Inputs to an Acoustic Violin from Audio Spectra", Proc. Int. Conf. Multimedia Eng., New York, IEEE Press, 2003.
"Inducing Unusual Dynamics in Acoustic Musical Instruments", Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
"Impulse Response Measurements in the Presence of Clock Drift", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Impulse Response Measurement Toolbox, , 2008.
Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters, , no. STAN-M-50: Stanford University Department of Music, 05/1988.
"Impact of MIDI on Electroacoustic Art Music", Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
"Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
"A History of Programming and Music", Cambridge Companion to Electronic Music: Cambridge University Press, 2008.
History and Principles of Microtonal Keyboard Design, , Stanford, CA, Stanford University, CCRMA, 04/1988.
High Level Factors and the Musical Saliency of Auditory Phenomena, , Stanford, CA, Stanford University, CCRMA, 07/1987.
"Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work", International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
"Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action", Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
"The GRIP MAESTRO: Balancing Large- and Small-scale Aspects of Emotive Gestural Control for Live Electroacoustic Musical Performance", Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2010.
A Generalized Approach to Automatic Recognition of Music Scores, , no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
"From Jack to UDP packets to sound, and back", Linux Audio Conference 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"For Jean-Claude: [re]Presenting Duet for One Pianist", International Computer Music Conference, Montreal, Canada, 08/2009.
FIR Digital Filter Design, , Winter, 1992.
"Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion", IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
"Feedback control of acoustic musical instruments: Collocated control using physical analogs", The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012.
"Feedback Control of Acoustic Musical Instruments", STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.
"An Exploration of Musical Timbre", Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
"Evolving The Mobile Phone Orchestra", International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010.
"Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds, , Stanford, CA, Stanford University, CCRMA, 05/1988.
"Ensemble Timing in Computer Music", International Computer Music Conference, no. STAN-M-23, Eastman School of Music, Rochester, N.Y., 1983.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings", Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.