Publications

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I
Igoudin, A., and J. O. Smith III, CCRMA Report, May 1996, , Stanford, CA, Stanford University, CCRMA, 05/1996.
Igoudin, A., "Impact of MIDI on Electroacoustic Art Music", Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
H
Huang, P., S. Serafin, and J. O. Smith III, "Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh", Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
Huang, P., S. Serafin, and J. O. Smith III, "A Waveguide Mesh Model of High-Frequency Violin Body Resonances", Proc. 2000 Int. Computer Music Conf., Berlin, aug, 2000.
Huang, P., and J. O. Smith III, "Loudness-Based Display and Analysis Applied to Artificial Reverberation", Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
Holland, S., Learning About Harmony with Harmony Space: an Overview, , Stanford, CA, CCRMA, 09/1994.
Hirschman, S., "Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments", Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
Herrera, J., C. Hanson, and J. S. Abel, "Discrete Time Emulation of the Leslie Speaker", 127th Audio Engineering Society Convention, New York, NY, USA, 10/2009. Abstract
Hamilton, R., "q3osc: or How I Learned To Stop Worrying and Love The Game", International Computer Music Conference, Belfast, Ireland, 2008. Abstract
Hamilton, R., "Building Interactive Networked Musical Environments Using q3osc", AES 35th International Conference: Audio for Games, London, UK, 2009. Abstract
Hamilton, R., "maps and legends: FPS-Based Interfaces For Composition and Immersive Performance", International Computer Music Conference, Copenhagen, Denmark, 2007. Abstract
Hamilton, R., "Back To The Sea: A Software Realization of Dexter Morrill's "Sea Songs"", International Computer Music Conference, Copenhagen, Denmark, 08/30/2007, 2009. Abstract
Hamilton, R., "Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance", Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008. Abstract
Hamilton, R., and C. Nanou, "For Jean-Claude: [re]Presenting Duet for One Pianist", International Computer Music Conference, Montreal, Canada, 08/2009. Abstract
G
Grey, J. M., "An Exploration of Musical Timbre", Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
Gordon, J. W., "Perception of Attack Transients in Musical Tones", Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
Gordon, J. W., and J. Strawn, "An Introduction to the Phase Vocoder", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.
Gordon, J. W., and J. O. Smith III, "A Sine Generation Algorithm for VLSI Applications", Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.
Gordon, J. W., The Role of Psychoacoustics in Computer Music, , Stanford, CA, CCRMA, 06/1987.
Gillespie, B., "Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action", Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
Gillespie, B., and S. O'Modhrain, The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio, , Stanford, California, Stanford University, 10/1995.
George, E. B., and M. J. T. Smith, "Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones", J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
D
Dyer, An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control, , vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
Dumitrescu, T., J. Kepper, A. Kornstaedt, D. Röwenstruck, P. Roland, C. Sapp, and E. Selfridge-Field, "The Dagstuhl Core", Knowledge representation for intelligent music processing, no. 09051, Dagstuhl, Germany, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany, 2009. Abstract
Diener, G., Designing Digital Instruments with Hierarchical Waveguide Networks, , Stanford, California, Stanford University, 05/1988.
Diener, G., TTREES: An Active Data Structure for Computer Music, , Stanford, California, Stanford University, 05/1988.
Diener, G., "NUTATION: Structural Organization Versus Graphical Generality in a Common Music", International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
Diener, G., "Modeling Music Notation: A Three-Dimensional Approach", Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
Dahl, L., J. Herrera, and C. Wilkerson, "TweetDreams: Making music with the audience and the world using real-time Twitter data", International Conference on New Interfaces For Musical Expression, Oslo, Norway, 05/2011. Abstract
C
Cook, P., B. Gillespie, J. O. Smith III, Tanaka, and S. van Duyne, Physical Modeling and Signal Processing: CCRMA Papers Presented at the 1992 International Computer Music Conference, San Jose, CA, , no. STAN-M-80, oct, 1992.
Cook, P., Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters, , no. STAN-M-50: Stanford University Department of Music, 05/1988.
Cook, P., "Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract", International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
Cook, P., "Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices", Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.
Cook, P., "Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
Cook, P., S. Hirschman, and J. O. Smith III, "CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
Cook, P., Reverberation Cancellation in Musical Signals Using Adaptive Filters, , no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
Cook, P., "Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work", International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
Cook, P., "LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
Cohen, E. A., The Influence of Nonharmonic Partials on Tone Perception, , vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
Chowning, J., Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti, , no. STAN-M-64: Stanford University Department of Music, 1990.