Publications
]
"Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance",
Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008.
Abstract
"For Jean-Claude: [re]Presenting Duet for One Pianist",
International Computer Music Conference, Montreal, Canada, 08/2009.
Abstract
"Social Composition: Musical Data Systems for Expressive Mobile Music",
Leonardo Music Journal, vol. 21, 12/2011.
Abstract
"q3osc: or How I Learned To Stop Worrying and Love The Game",
International Computer Music Conference, Belfast, Ireland, 2008.
Abstract
"Building Interactive Networked Musical Environments Using q3osc",
AES 35th International Conference: Audio for Games, London, UK, 2009.
Abstract
"maps and legends: FPS-Based Interfaces For Composition and Immersive Performance",
International Computer Music Conference, Copenhagen, Denmark, 2007.
Abstract
"Back To The Sea: A Software Realization of Dexter Morrill's "Sea Songs"",
International Computer Music Conference, Copenhagen, Denmark, 08/30/2007, 2009.
Abstract
"Discrete Time Emulation of the Leslie Speaker",
127th Audio Engineering Society Convention, New York, NY, USA, 10/2009.
Abstract
"Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments",
Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
Learning About Harmony with Harmony Space: an Overview,
, Stanford, CA, CCRMA, 09/1994.
"Loudness-Based Display and Analysis Applied to Artificial Reverberation",
Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh",
Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
"A Waveguide Mesh Model of High-Frequency Violin Body Resonances",
Proc. 2000 Int. Computer Music Conf., Berlin, aug, 2000.
"Impact of MIDI on Electroacoustic Art Music",
Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
"Spectrum Analysis Tutorial - Parts I and II",
Computer Music Journal, vol. 11, issue 2-3, no. STAN-M-33, 1987.
"Ensemble Timing in Computer Music",
International Computer Music Conference, no. STAN-M-23, Eastman School of Music, Rochester, N.Y., 1983.
The Science of Sound Recording,
, 1, Waltham, MA, Focal Press, pp. 256, 2012.
"Interactive Network Media: A Dream Worth Dreaming?",
Organised Sound, pp. 10(3)209-219, 2007.
History and Principles of Microtonal Keyboard Design,
, Stanford, CA, Stanford University, CCRMA, 04/1988.
"Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity",
Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
"Modal Audio Effect: A Carillon Case Study",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
"Modal Analysis and Synthesis of the University of Michigan Lurie Carillon",
Resonance and Remembrance: An Interdisciplinary Bell Studies Symposium, University of Michigan, Ann Arbor, MI, 03/2017.
Abstract
"Themefinder: A Web-based Melodic Search Tool",
Computing in Musicology , vol. 11, pp. 231-236, 1998.
Abstract
" A Flexible Slide-In System for Computer-Assisted Musicological Analysis",
5th World Multiconference on Systemics, Cybernetics and Informatics, vol. 10, pp. 51-56, 2001.
Abstract
"SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis",
Computing in Musicology, vol. 10, pp. 122, 1996.
Abstract
"The JRing System for Computer-Assisted Musicological Analysis",
2nd Annual International Symposium on Music Information Retrieval, pp. 93-98, 2001.
Abstract
"CCARH's Musical Databases on the Web: A Gold Mine for Musicologists",
Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998.
Abstract
"Inferring Control Inputs to an Acoustic Violin from Audio Spectra",
Proc. Int. Conf. Multimedia Eng., New York, IEEE Press, 2003.
"Methods for Simulating String Collisions with Rigid Spatial Objects",
Proc. IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, New Paltz, NY, New York, IEEE Press, oct, 2003.
Temporal Constraints on Apparent Motion in Auditory Space,
, Stanford, CA, Stanford University, CCRMA, 11/1991.
Recognition of Complex Auditory-Spatial Patterns,
, Stanford, CA, Stanford University, CCRMA, 06/1991.
"Simulating an Asymmetrically Saturated Nonlinearity Using an LNLNL Cascade",
133rd Audio Engineering Society Convention, San Francisco, CA, USA, 10/2012.
Abstract
"Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure",
Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), Graz, Austria, 09/2010.
Abstract
"The Switched Convolution Reverberator",
127th Audio Engineering Society Convention , New York, NY, USA, 10/2009.
Abstract
"The Switched Convolution Reverberator",
The Journal of the Audio Engineering Society, vol. 60, issue 4, pp. 227-236, 04/2012.
Abstract
"A Reverberator with Two-Stage Decay and Onset Time Controls",
129th Audio Engineering Society Convention, San Francisco, CA, USA, 11/2010.
Abstract
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
Absolute Memory for Musical Pitch: More Than The Melody Lingers On,
, Stanford, CA, Stanford University, CCRMA, 06/1992.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
