Publications
]
"For Jean-Claude: [re]Presenting Duet for One Pianist",
International Computer Music Conference, Montreal, Canada, 08/2009.
Abstract
"q3osc: or How I Learned To Stop Worrying and Love The Game",
International Computer Music Conference, Belfast, Ireland, 2008.
Abstract
"Discrete Time Emulation of the Leslie Speaker",
127th Audio Engineering Society Convention, New York, NY, USA, 10/2009.
Abstract
"Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments",
Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
Learning About Harmony with Harmony Space: an Overview,
, Stanford, CA, CCRMA, 09/1994.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh",
Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
"A Waveguide Mesh Model of High-Frequency Violin Body Resonances",
Proc. 2000 Int. Computer Music Conf., Berlin, aug, 2000.
"Loudness-Based Display and Analysis Applied to Artificial Reverberation",
Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
"Impact of MIDI on Electroacoustic Art Music",
Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
"Ensemble Timing in Computer Music",
International Computer Music Conference, no. STAN-M-23, Eastman School of Music, Rochester, N.Y., 1983.
"Spectrum Analysis Tutorial - Parts I and II",
Computer Music Journal, vol. 11, issue 2-3, no. STAN-M-33, 1987.
The Science of Sound Recording,
, 1, Waltham, MA, Focal Press, pp. 256, 2012.
"Interactive Network Media: A Dream Worth Dreaming?",
Organised Sound, pp. 10(3)209-219, 2007.
History and Principles of Microtonal Keyboard Design,
, Stanford, CA, Stanford University, CCRMA, 04/1988.
"Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity",
Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
"Modal Analysis and Synthesis of the University of Michigan Lurie Carillon",
Resonance and Remembrance: An Interdisciplinary Bell Studies Symposium, University of Michigan, Ann Arbor, MI, 03/2017.
Abstract
"Modal Audio Effect: A Carillon Case Study",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
" A Flexible Slide-In System for Computer-Assisted Musicological Analysis",
5th World Multiconference on Systemics, Cybernetics and Informatics, vol. 10, pp. 51-56, 2001.
Abstract
"SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis",
Computing in Musicology, vol. 10, pp. 122, 1996.
Abstract
"The JRing System for Computer-Assisted Musicological Analysis",
2nd Annual International Symposium on Music Information Retrieval, pp. 93-98, 2001.
Abstract
"CCARH's Musical Databases on the Web: A Gold Mine for Musicologists",
Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998.
Abstract
"Themefinder: A Web-based Melodic Search Tool",
Computing in Musicology , vol. 11, pp. 231-236, 1998.
Abstract
"Methods for Simulating String Collisions with Rigid Spatial Objects",
Proc. IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, New Paltz, NY, New York, IEEE Press, oct, 2003.
"Inferring Control Inputs to an Acoustic Violin from Audio Spectra",
Proc. Int. Conf. Multimedia Eng., New York, IEEE Press, 2003.
Recognition of Complex Auditory-Spatial Patterns,
, Stanford, CA, Stanford University, CCRMA, 06/1991.
Temporal Constraints on Apparent Motion in Auditory Space,
, Stanford, CA, Stanford University, CCRMA, 11/1991.
"The Switched Convolution Reverberator",
127th Audio Engineering Society Convention , New York, NY, USA, 10/2009.
Abstract
"The Switched Convolution Reverberator",
The Journal of the Audio Engineering Society, vol. 60, issue 4, pp. 227-236, 04/2012.
Abstract
"A Reverberator with Two-Stage Decay and Onset Time Controls",
129th Audio Engineering Society Convention, San Francisco, CA, USA, 11/2010.
Abstract
"Simulating an Asymmetrically Saturated Nonlinearity Using an LNLNL Cascade",
133rd Audio Engineering Society Convention, San Francisco, CA, USA, 10/2012.
Abstract
"Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure",
Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), Graz, Austria, 09/2010.
Abstract
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
Absolute Memory for Musical Pitch: More Than The Melody Lingers On,
, Stanford, CA, Stanford University, CCRMA, 06/1992.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
"Towards a Theory of Timbre",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-42, Stanford, CA, Stanford University, 08/1987.
"CCRMA Studio Report",
International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
"PadMaster: an improvisation environment for real time performance",
International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
"From Jack to UDP packets to sound, and back",
Linux Audio Conference 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"The Planet CCRMA software collection",
International Computer Music Conference, Göteborg, Sweden, International Computer Music Association, 2002.
Abstract
