Publications
]
The Role of Psychoacoustics in Computer Music,
, Stanford, CA, CCRMA, 06/1987.
Simulation of Music Instrument Tones in Reverberant Environments, Final Report,
: Stanford University Department of Music, 05/1978.
Temporal Constraints on Apparent Motion in Auditory Space,
, Stanford, CA, Stanford University, CCRMA, 11/1991.
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA),
, Stanford, CA, Stanford University, CCRMA, 10/1993.
TTREES: An Active Data Structure for Computer Music,
, Stanford, California, Stanford University, 05/1988.
FIR Digital Filter Design,
, Winter, 1992.
Signal Processing in Faust and Pd,
, nov, 2007.
"Alias-suppressed oscillators based on differentiated polynomial waveforms",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology",
Journal of New Music Research, vol. 39, issue 1, 05/2010.
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones",
J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
"Common Music: A Music Composition Language in Common Lisp and CLOS",
Computer Music Journal, vol. 15, issue 2, 07/1991.
"Composing for Laptop Orchestra",
Computer Music Journal, pp. 32(1):9-25, 2008.
Abstract
"The Computer as a Musical Instrument",
Scientific American, vol. 256, no. STAN-M-37, 1987.
"Design Criteria for Simple Sinusoidal Parameter Estimation based on Quadratic Interpolation of FFT Magnitude Peaks",
Audio Engineering Society Convention, San Francisco, New York, Audio Engineering Society, 2004.
"Efficient antialiasing oscillator algorithms using low-order fractional delay filters",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
EURASIP Journal on Applied Signal Processing, vol. 4, 2004.
"Feedback control of acoustic musical instruments: Collocated control using physical analogs",
The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012.
Abstract
"Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion",
IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers",
IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
Abstract
"Interactive Network Media: A Dream Worth Dreaming?",
Organised Sound, pp. 10(3)209-219, 2007.
"JackTrip/SoundWIRE Meets Server Farm",
Computer Music Journal, vol. 34, no. 3, 2010.
"The Laptop Orchestra as Classroom",
Computer Music Journal, pp. 32(1):26-37, 2008.
Abstract
"Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance",
Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008.
Abstract
"Modal Processor Effects Inspired by Hammond Tonewheel Organs",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
"Modeling Nonlinear Wave Digital Elements using the Lambert Function",
IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 63, issue 8, 08/2016.
Abstract
"Musical Tapestry: Re-composing Natural Sounds",
Journal of New Music Research, pp. 36(4):241-250, 2008.
Abstract
"Physical Modeling Using Digital Waveguides",
Computer Music Journal, vol. 16, issue 4, 12/1992.
"Robust Design of Very High-Order Allpass Dispersion Filters",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis",
Computing in Musicology, vol. 10, pp. 122, 1996.
Abstract
"A Simple, Accurate Wall Loss Filter for Acoustic Tubes",
Proc. Conf. Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept., 2003.
"The Simulation of Moving Sound Sources",
Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971.
Abstract
"Sinusoidal Parameter Estimation Using Quadratic Interpolation Around Power-Scaled Magnitude Spectrum Peaks",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
"Some Physical Audio Effects",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"Spectrum Analysis Tutorial - Parts I and II",
Computer Music Journal, vol. 11, issue 2-3, no. STAN-M-33, 1987.
"The Switched Convolution Reverberator",
The Journal of the Audio Engineering Society, vol. 60, issue 4, pp. 227-236, 04/2012.
Abstract
"Synchronization and acoustics in network performance.",
The Journal of the Acoustical Society of America, vol. 124, no. 4, pp. 2489, 2008.
