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"A Waveguide Mesh Model of High-Frequency Violin Body Resonances", Proc. 2000 Int. Computer Music Conf., Berlin, aug, 2000.
"Waveguide Mesh Reverberator with Internal Decay and Diffusion Structures", Proceedings of the 123rd Convention of the Audio Engineering Society, New York, preprint 7194, 2007.
"JackTrip: Under the Hood of an Engine for Network Audio", Proceedings of International Computer Music Conference, San Francisco, California, International Computer Music Association, pp. 509–512, 2009.
"“Separation by Humming”: User Guided Sound Extraction from Monophonic Mixtures", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 2009.
" A Flexible Slide-In System for Computer-Assisted Musicological Analysis", 5th World Multiconference on Systemics, Cybernetics and Informatics, vol. 10, pp. 51-56, 2001.
"Alias-free virtual analog oscillators using a feedback delay loop", the 12th Int. Conference on Digital Audio Effects, Como, Italy, 09/2009.
"An Allpass Approach to Digital Phasing and Flanging", International Computer Music Conference, Paris, 1984.
"Back To The Sea: A Software Realization of Dexter Morrill's "Sea Songs"", International Computer Music Conference, Copenhagen, Denmark, 08/30/2007, 2009.
"CCARH's Musical Databases on the Web: A Gold Mine for Musicologists", Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
"Characterization of Aperiodicity in Nearly Periodic Signals", International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
"Compositional Tools for Adding Expression to Music", International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
"DMIX: An Environment for Composition", International Computer Music Conference, Columbus, Ohio, USA, CCRMA, 05/1989.
"Doppler Simulation and the Leslie", Proc. COST-G6 Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, vol. 20, no. 2, New York, CCRMA, Stanford University, pp. 13–20, September 26, 2002.
"Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion", Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
"Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters", IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
"Ensemble Timing in Computer Music", International Computer Music Conference, no. STAN-M-23, Eastman School of Music, Rochester, N.Y., 1983.
"For Jean-Claude: [re]Presenting Duet for One Pianist", International Computer Music Conference, Montreal, Canada, 08/2009.
"Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work", International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
"The JRing System for Computer-Assisted Musicological Analysis", 2nd Annual International Symposium on Music Information Retrieval, pp. 93-98, 2001.
"LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
"Linux Audio Conference 2012 Proceedings", Linux Audio Conference 2012, 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"maps and legends: FPS-Based Interfaces For Composition and Immersive Performance", International Computer Music Conference, Copenhagen, Denmark, 2007.
"A New Approach to Digital Reverberation Using Closed Waveguide Networks", International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
"NUTATION: Structural Organization Versus Graphical Generality in a Common Music", International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
"On Finding Rythmic Patterns in Musical Lines", ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation", International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
"Playing the Network: the Use of Time Delays as Musical Devices", International Computer Music Conference, pp. 244-250, 2008.
"Proceedings of the 15th International Congress on Acoustics", International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
"q3osc: or How I Learned To Stop Worrying and Love The Game", International Computer Music Conference, Belfast, Ireland, 2008.
"SCUBA: the Self-Contained Unified Bass Augmenter", New Interfaces for Musical Expression, pp. 38–41, 2005.
"Slappability: A New Metaphor for Human Computer Interaction", World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
"Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract", International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
"To the Edge with China: Explorations in Network Performance", ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.
"Variable Fractional Delay Filters in Bandlimited Oscillator Algorithms for Music Synthesis", the 2010 International Conference on Green Circuits and Systems (ICGCS2010), Shanghai, China, 06/2010.
"Alias-suppressed oscillators based on differentiated polynomial waveforms", IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.