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Overview, September 1994, , Stanford, CA, Stanford University, CCRMA, 09/1994.
"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals", Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
"Openmixer: a routing mixer for multichannel studios", Linux Audio Conference 2010, Utrech, The Netherlands, 5/2010.
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
"On the Minimum-phase Nature of Head-Related Transfer Functions", the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
"On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis", Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
"On Finding Rythmic Patterns in Musical Lines", ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters, , Stanford, CA, Stanford University, CCRMA, 11/1994.
"On Estimating Room Impulse Responses From Recorded Balloon Pops", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010.
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control, , vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
"NUTATION: Structural Organization Versus Graphical Generality in a Common Music", International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
"Non-negative Hidden Markov Modeling of Audio with Application to Source Separation", International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010.
"A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures", Music, vol. PhD: Stanford University, 06/2010.
"Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices", Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.
"A New Approach to Digital Reverberation Using Closed Waveguide Networks", International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
"Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008.
"Musical Influence Network Analysis and Rank of Sampled-Based Music", 12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti, , no. STAN-M-64: Stanford University Department of Music, 1990.
Music Applications of Digital Waveguides, : Stanford University, 1987.
"MPEG Audio Compression Basics", The MPEG Representation of Digital Media: Springer, 2012.
"More Cowbell: a Physically-Informed, Circuit-Bendable, Digital Model of the TR-808 Cowbell", 137th International Audio Engineering Society (AES) Conference, Los Angeles, CA, 10/2014.
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio, , Stanford, California, Stanford University, 10/1995.
MoMu: A Mobile Music Toolkit, , Sydney, Australia, 06/2010.
"Modeling Musical Transitions", Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
"Modeling Music Notation: A Three-Dimensional Approach", Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh", Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
"The Mobile Phone Orchestra", Oxford Handbook of Mobile Music Studies: Oxford University Press, 2010.
"Methods for Simulating String Collisions with Rigid Spatial Objects", Proc. IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, New Paltz, NY, New York, IEEE Press, oct, 2003.
"Methods For Extending Room Impulse Responses Beyond Their Noise Floor", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
"A Method for Estimating Interaural Time Difference for Binaural Synthesis", the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
"maps and legends: FPS-Based Interfaces For Composition and Immersive Performance", International Computer Music Conference, Copenhagen, Denmark, 2007.
"Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance", Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008.
"Loudness-Based Display and Analysis Applied to Artificial Reverberation", Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
"Linux Audio Conference 2012 Proceedings", Linux Audio Conference 2012, 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
"Learnng Sparse Feature Representations For Music Annotation And Retrieval", 13th International Society for Music Information Retrieval Conference, Porto, Portugal, 10/2012.
Learning About Harmony with Harmony Space: an Overview, , Stanford, CA, CCRMA, 09/1994.
"The Laptop Orchestra as Classroom", Computer Music Journal, pp. 32(1):26-37, 2008.