Publications
]
"DMIX- A Multi Faceted Environment for Composing and Performing Computer Music: Its Design, Philosophy, and Implementation",
Fourth Biennial Arts and Technology Symposium, Stanford, CA, CCRMA, 10/1993.
"Compositional Tools for Adding Expression to Music",
International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
"Resolving Grouped Nonlinearities in Wave Digital Filters using Iterative Techniques",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Network Variable Preserving Step-size Control In Wave Digital Filters",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, United Kingdom, pp. 200–207, 09/2017.
Abstract
"Evolving The Mobile Phone Orchestra",
International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010.
Abstract
CCRMA Overview, July 2001,
, Stanford, CA, Stanford University, CCRMA, 07/2001.
"Alias-free virtual analog oscillators using a feedback delay loop",
the 12th Int. Conference on Digital Audio Effects, Como, Italy, 09/2009.
Abstract
"On the Minimum-phase Nature of Head-Related Transfer Functions",
the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
Abstract
"Efficient antialiasing oscillator algorithms using low-order fractional delay filters",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"A Method for Estimating Interaural Time Difference for Binaural Synthesis",
the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
Abstract
"Learnng Sparse Feature Representations For Music Annotation And Retrieval",
13th International Society for Music Information Retrieval Conference, Porto, Portugal, 10/2012.
Abstract
"A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures",
Music, vol. PhD: Stanford University, 06/2010.
"Relative Pitch Estimation of Multiple Instruments",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009.
Abstract
"Non-negative Hidden Markov Modeling of Audio with Application to Source Separation",
International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010.
Abstract
"Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach",
Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
"The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae",
Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer",
Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
On the Loudness of Complex, Time-Variant Tones,
, Stanford, CA, Stanford University, CCRMA, 1975.
"Real Time Interactive Computer Music Synthesis",
Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
"On Finding Rythmic Patterns in Musical Lines",
ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
The Bounded-Q approach to time-varying spectral analysis,
, Stanford, CA, Stanford University, CCRMA, 1986.
"Musical Tapestry: Re-composing Natural Sounds",
Journal of New Music Research, pp. 36(4):241-250, 2008.
Abstract
"Event Formation and Separation in Musical Sound",
Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
"The Laptop Accordion",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
Abstract
"Spectral Fusion, Spectral Parsing and the Formation of Auditory Images",
Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
The Conductor Program and Mechanical Baton,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
The Aquisition of Musical Percepts with a New Scale,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
"The Computer as a Musical Instrument",
Scientific American, vol. 256, no. STAN-M-37, 1987.
Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
"Toward a High-Quailty Singing Synthesizer with Vocal Texture Control",
Electrical Engineering, vol. Ph.D., no. STAN-M-111, Stanford, CA, Stanford University, 07/2002.
"From Jack to UDP packets to sound, and back",
Linux Audio Conference 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"The Planet CCRMA software collection",
International Computer Music Conference, Göteborg, Sweden, International Computer Music Association, 2002.
Abstract
"The Quest for Noiseless Computers",
Linux Audio Conference, Parma, Italy, 04/2009.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.
"PadMaster: banging on algorithms with alternative controllers",
International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"A dynamic spatial locator ugen for CLM",
Sound and Music Computing Conference, Berlin, Germany, 07/2008.
Abstract
"Surviving on Planet CCRMA, two years later and still alive",
International Computer Music Conference, Barcelona, Spain, 09/2005.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Copenhagen, Denmark, International Computer Music Association, 2007.
"CCRMA Studio Report",
International Computer Music Conference, La Habana, Cuba, International Computer Music Association, 2001.
"Openmixer: a routing mixer for multichannel studios",
Linux Audio Conference 2010, Utrech, The Netherlands, 5/2010.
Abstract
