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Chowning, J., and C. Sheeline, Auditory Distance Perception Under Natural Sounding Conditions, Final Report, , no. STAN-M-12: Stanford University Department of Music, 1982.

Chowning, J., J. M. Grey, L. Rush, J. A. Moorer, and L. Smith, Simulation of Music Instrument Tones in Reverberant Environments, Final Report, : Stanford University Department of Music, 05/1978.

Chowning, J., "The Simulation of Moving Sound Sources", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971. Abstract

Chowning, J., L. Rush, B. Mont-Reynaud, C. Chafe, W. A. Schloss, and J. O. Smith III, Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report, , no. STAN-M-15: Stanford University Department of Music, 1984.

Chowning, J., J. M. Grey, L. Rush, and J. A. Moorer, Computer Simulation of Music Instrument Tones in Reverberant Environments, , no. STAN-M-1: Stanford University Department of Music, 1974.

Chowning, J., and B. Mont-Reynaud, Intelligent Analysis of Composite Acoustic Signals, Final Report, , Stanford, California, Stanford University Department of Music, 05/1986.

Cohen, E. A., The Influence of Nonharmonic Partials on Tone Perception, , vol. Ph.D., no. STAN-M-10: Stanford University, 1980.

Cook, P., "LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.

Cook, P., B. Gillespie, J. O. Smith III, Tanaka, and S. van Duyne, Physical Modeling and Signal Processing: CCRMA Papers Presented at the 1992 International Computer Music Conference, San Jose, CA, , no. STAN-M-80, oct, 1992.

Cook, P., Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters, , no. STAN-M-50: Stanford University Department of Music, 05/1988.

Cook, P., "Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract", International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.

Cook, P., "Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices", Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.

Cook, P., "Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.

Cook, P., S. Hirschman, and J. O. Smith III, "CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.

Cook, P., Reverberation Cancellation in Musical Signals Using Adaptive Filters, , no. STAN-M-51, Stanford, California, CCRMA, 05/1988.

Cook, P., "Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work", International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.

Dahl, L., J. Herrera, and C. Wilkerson, "TweetDreams: Making music with the audience and the world using real-time Twitter data", International Conference on New Interfaces For Musical Expression, Oslo, Norway, 05/2011. Abstract

Diener, G., "Modeling Music Notation: A Three-Dimensional Approach", Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.

Diener, G., Designing Digital Instruments with Hierarchical Waveguide Networks, , Stanford, California, Stanford University, 05/1988.

Diener, G., TTREES: An Active Data Structure for Computer Music, , Stanford, California, Stanford University, 05/1988.

Diener, G., "NUTATION: Structural Organization Versus Graphical Generality in a Common Music", International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.

Dumitrescu, T., J. Kepper, A. Kornstaedt, D. Röwenstruck, P. Roland, C. Sapp, and E. Selfridge-Field, "The Dagstuhl Core", Knowledge representation for intelligent music processing, no. 09051, Dagstuhl, Germany, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany, 2009. Abstract

Dunkel, R. W., M. Rest, K. J. Werner, M. J. Olsen, and J. O. Smith III, "The Fender Bassman 5F6-A Family of Preamplifier Circuits—A Wave Digital Filter Case Study", International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016. Abstract

Dyer, An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control, , vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.

Fiebrink, R., G. Wang, and P. R. Cook, "Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control", A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017. Abstract

George, E. B., and M. J. T. Smith, "Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones", J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.

Germain, F. G., and K. J. Werner, "Optimizing Differentiated Discretization for Audio Circuits Beyond Driving Point Transfer Functions", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, 10/2017. Abstract

Germain, F. G., G. J. Mysore, and T. Fujioka, "Equalization matching of speech recordings in real-world environments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Shanghai, China, IEEE, 03/2016. Abstract

Germain, F. G., and K. J. Werner, "Joint Parameter Optimization of Differentiated Discretization Schemes for Audio Circuits", 142nd International Convention of the Audio Engineering Society, Berlin, Germany, 05/2017. Abstract

Germain, F. G., Q. Chen, and V. Koltun, "Speech Denoising with Deep Feature Losses", arXiv:1806.10522, 06/2018. Abstract

Germain, F. G., and G. J. Mysore, "Speaker and Noise Independent Online Single Channel Speech Enhancement", 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Brisbane, Australia, IEEE, 04/2015. Abstract

Germain, F. G., and K. J. Werner, "Design Principles for Lumped Model Discretisation Using Möbius Transforms", International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015. Abstract

Germain, F. G., "Fixed-rate Modeling of Audio Lumped Systems: A Comparison Between Trapezoidal and Implicit Midpoint Methods", 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017. Abstract

Germain, F. G., J. S. Abel, P. Depalle, and M. M. Wanderley, "Uniform Noise Sequences for Nonlinear System Identification", 15th International Conference on Digital Audio Effects (DAFx-12), York, UK, 09/2012. Abstract

Gillespie, B., and S. O'Modhrain, The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio, , Stanford, California, Stanford University, 10/1995.

Gillespie, B., "Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action", Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.

Gnegy, C., and K. J. Werner, "Digitizing the Ibanez Weeping Demon Wah Pedal", International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015. Abstract

Gordon, J. W., The Role of Psychoacoustics in Computer Music, , Stanford, CA, CCRMA, 06/1987.

Gordon, J. W., "Perception of Attack Transients in Musical Tones", Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.

Gordon, J. W., and J. O. Smith III, "A Sine Generation Algorithm for VLSI Applications", Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.

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