Publications

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1987
Mathews, M V., and J. R. Pierce, The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.
Pierce, J. R., and E. D. Schubert, High Level Factors and the Musical Saliency of Auditory Phenomena, , Stanford, CA, Stanford University, CCRMA, 07/1987.
Lo, Y O., "Towards a Theory of Timbre", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-42, Stanford, CA, Stanford University, 08/1987.
1988
Serra, X., and P. Wood, OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work), , Stanford, CA, Stanford University, CCRMA, 03/1988.
Keisler, D., History and Principles of Microtonal Keyboard Design, , Stanford, CA, Stanford University, CCRMA, 04/1988.
Mathews, M V., and D. Barr, The Conductor Program and Mechanical Baton, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Diener, G., Designing Digital Instruments with Hierarchical Waveguide Networks, , Stanford, California, Stanford University, 05/1988.
Serra, X., An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Cook, P., Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters, , no. STAN-M-50: Stanford University Department of Music, 05/1988.
Mathews, M V., Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Cook, P., Reverberation Cancellation in Musical Signals Using Adaptive Filters, , no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
Diener, G., TTREES: An Active Data Structure for Computer Music, , Stanford, California, Stanford University, 05/1988.
1989
Cook, P., "Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work", International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
Cook, P., "Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract", International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
Serra, X., "A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition", Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
Chafe, C., "Simulating Performance on a Bowed Instrument", Current Directions in Computer Music: MIT Press, 05/1988, 1989.
Oppenheim, D. V., "DMIX: An Environment for Composition", International Computer Music Conference, Columbus, Ohio, USA, CCRMA, 05/1989.
Diener, G., "NUTATION: Structural Organization Versus Graphical Generality in a Common Music", International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
1990
Schumacher, R. T., and C. Chafe, "Characterization of Aperiodicity in Nearly Periodic Signals", International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
Chowning, J., Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti, , no. STAN-M-64: Stanford University Department of Music, 1990.
Chafe, C., "Pulsed Noise in Self-Sustained Oscillations of Musical Instruments", Proceddings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, no. STAN-M-61, New York, IEEE Press, 01/1990.
Bosi, M., A Real-Time System for Spatial Distribution of Sound, , no. STAN-M-66: Stanford University Department of Music, 08/1990.
Smith III, J. O., "Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion", Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
Cook, P., "Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
Diener, G., "Modeling Music Notation: A Three-Dimensional Approach", Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
Chafe, C., Pulsed Noise and Microtransients in Physical Models of Musical Instruments, , no. STAN-M-65: Stanford University Department of Music, sep, 1990.
1991
Cook, P., "LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
Dyer, An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control, , vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
Keisler, D., "Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity", Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
Abel, J. S., and J. O. Smith III, "Restoring a Clipped Signal", Proc. Int. Conf. Acoustics, Speech, and Signal Processing, Toronto, New York, IEEE Press, 1991.
Lakatos, S., Recognition of Complex Auditory-Spatial Patterns, , Stanford, CA, Stanford University, CCRMA, 06/1991.
Taube, H., "Common Music: A Music Composition Language in Common Lisp and CLOS", Computer Music Journal, vol. 15, issue 2, 07/1991.
Hirschman, S., "Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments", Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
Cook, P., "Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices", Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.
Cook, P., S. Hirschman, and J. O. Smith III, "CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
Lakatos, S., Temporal Constraints on Apparent Motion in Auditory Space, , Stanford, CA, Stanford University, CCRMA, 11/1991.
Mellinger, D. K., "Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
1992
George, E. B., and M. J. T. Smith, "Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones", J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
Levitine, D. J., Absolute Memory for Musical Pitch: More Than The Melody Lingers On, , Stanford, CA, Stanford University, CCRMA, 06/1992.
Smith III, J. O., "Physical Modeling Using Digital Waveguides", Computer Music Journal, vol. 16, issue 4, 12/1992.