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"Skeleton: the Decayed Remnants of Time. An Investigation of Memory Through Sound.", Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2009.
"A Sine Generation Algorithm for VLSI Applications", Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.
"Simulation of Recruiting Hearing Impairment Using a Tree-Structured Allpass-Complementary ERB-Band Filter Bank", IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, Demo Session, New Paltz, NY, pp. [TD1-8], oct, 2007.
Simulation of Music Instrument Tones in Reverberant Environments, Final Report, : Stanford University Department of Music, 05/1978.
"The Simulation of Moving Sound Sources", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971.
"Simulating Performance on a Bowed Instrument", Current Directions in Computer Music: MIT Press, 05/1988, 1989.
"Simulating an Asymmetrically Saturated Nonlinearity Using an LNLNL Cascade", 133rd Audio Engineering Society Convention, San Francisco, CA, USA, 10/2012.
"A Simple, Accurate Wall Loss Filter for Acoustic Tubes", Proc. Conf. Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept., 2003.
Signal Processing in Faust and Pd, , nov, 2007.
"SCUBA: the Self-Contained Unified Bass Augmenter", New Interfaces for Musical Expression, pp. 38–41, 2005.
"SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis", Computing in Musicology, vol. 10, pp. 122, 1996.
The Science of Sound Recording, , 1, Waltham, MA, Focal Press, pp. 256, 2012.
The Role of Psychoacoustics in Computer Music, , Stanford, CA, CCRMA, 06/1987.
"Robust Design of Very High-Order Allpass Dispersion Filters", Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"A Reverberator with Two-Stage Decay and Onset Time Controls", 129th Audio Engineering Society Convention, San Francisco, CA, USA, 11/2010.
Reverberation Cancellation in Musical Signals Using Adaptive Filters, , no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
"Restoring a Clipped Signal", Proc. Int. Conf. Acoustics, Speech, and Signal Processing, Toronto, New York, IEEE Press, 1991.
"Relative Pitch Estimation of Multiple Instruments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009.
Recognition of Complex Auditory-Spatial Patterns, , Stanford, CA, Stanford University, CCRMA, 06/1991.
A Real-Time System for Spatial Distribution of Sound, , no. STAN-M-66: Stanford University Department of Music, 08/1990.
"Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
"The Quest for Noiseless Computers", Linux Audio Conference, Parma, Italy, 04/2009.
"q3osc: or How I Learned To Stop Worrying and Love The Game", International Computer Music Conference, Belfast, Ireland, 2008.
"Pulsed Noise in Self-Sustained Oscillations of Musical Instruments", Proceddings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, no. STAN-M-61, New York, IEEE Press, 01/1990.
Pulsed Noise and Microtransients in Physical Models of Musical Instruments, , no. STAN-M-65: Stanford University Department of Music, sep, 1990.
"Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity", Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
"Proceedings of the 15th International Congress on Acoustics", International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
"Playing the Network: the Use of Time Delays as Musical Devices", International Computer Music Conference, pp. 244-250, 2008.
"The Planet CCRMA software collection", International Computer Music Conference, Göteborg, Sweden, International Computer Music Association, 2002.
PLA - A Tutorial and Reference Manual, , Stanford, CA, Stanford University, CCRMA, 12/1984.
Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements, , Stanford, CA, Stanford University, CCRMA, 05/1988.
"A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit", 17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, 09/2014.
"A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
"Physical Modeling Using Digital Waveguides", Computer Music Journal, vol. 16, issue 4, 12/1992.
"Perception of Attack Transients in Musical Tones", Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation", International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"PadMaster: banging on algorithms with alternative controllers", International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"PadMaster: an improvisation environment for real time performance", International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work), , Stanford, CA, Stanford University, CCRMA, 03/1988.