Publications
"Two Turntables and a Mobile Phone",
International Conference on New Interfaces for Musical Expression, Oslo, Norway, 05/2011.
Abstract
"Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano-Roll Display",
International Society for Music Information Retrieval Conference, Curitiba, 11/2013.
Abstract
"Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012.
Abstract
"Interactive User-Feedback for Sound Source Separation",
International Conference on Intelligent User-Interfaces (IUI), Workshop on Interactive Machine Learning, Santa Monica, 03/2013.
Abstract
"Impulse Response Measurements in the Presence of Clock Drift",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"Musical Influence Network Analysis and Rank of Sampled-Based Music",
12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.
Abstract
"ISSE: An Interactive Source Separation Editor",
CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
Abstract
"Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates",
IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013.
Abstract
"Methods For Extending Room Impulse Responses Beyond Their Noise Floor",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"User-Guided Variable-Rate Time-Stretching Via Stiffness Control",
15th International Conference on Digital Audio Effects, York, United Kingdom, 09/2012.
Abstract
"Interactive Sound Source Separation",
Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014.
Abstract
MoMu: A Mobile Music Toolkit,
, Sydney, Australia, 06/2010.
Abstract
"An Efficient Posterior Regularized Latent Variable Model for Interactive Sound Source Separation",
International Conference on Machine Learning, Atlanta, GA, 06/2013.
Abstract
"JackTrip/SoundWIRE Meets Server Farm",
Proceedings of 6th Sound and Music Computing Conference, Porto, Portugal, pp. 95–98, 2009.
"Playing the Network: the Use of Time Delays as Musical Devices",
International Computer Music Conference, pp. 244-250, 2008.
"Synchronization and acoustics in network performance.",
The Journal of the Acoustical Society of America, vol. 124, no. 4, pp. 2489, 2008.
"JackTrip: Under the Hood of an Engine for Network Audio",
Proceedings of International Computer Music Conference, San Francisco, California, International Computer Music Association, pp. 509–512, 2009.
"SCUBA: the Self-Contained Unified Bass Augmenter",
New Interfaces for Musical Expression, pp. 38–41, 2005.
"JackTrip/SoundWIRE Meets Server Farm",
Computer Music Journal, vol. 34, no. 3, 2010.
"JackTrip: Under the Hood of an Engine for Network Audio",
Journal of New Music Research, vol. 38, no. 3, 2010.
"To the Edge with China: Explorations in Network Performance",
ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.
A Generalized Approach to Automatic Recognition of Music Scores,
, no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals",
Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
"Efficient Time-Varying Loudness Estimation via the Hopping Goertzel DFT",
Proceedings of the IEEE International Midwest Symposium on Circuits and Systems (MWSCAS-2007), 2007.
"Simulation of Recruiting Hearing Impairment Using a Tree-Structured Allpass-Complementary ERB-Band Filter Bank",
IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, Demo Session, New Paltz, NY, pp. [TD1-8], oct, 2007.
"Source Separation and Note Identification in Polyphonic Music",
Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tokyo, no. STAN-M-34, New York, IEEE Press, 1986.
Pulsed Noise and Microtransients in Physical Models of Musical Instruments,
, no. STAN-M-65: Stanford University Department of Music, sep, 1990.
"Temporal Separation in a Rhythmic Task",
Perception, 2010.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan",
International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
"Techniques for Note Identification in Polyphonic Music",
Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
Bowed String Synthesis and Its Control From a Physical Model,
, no. STAN-M-32, replaced by STAN-M-48: Stanford University Department of Music, 07/1985.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
"Pulsed Noise in Self-Sustained Oscillations of Musical Instruments",
Proceddings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, no. STAN-M-61, New York, IEEE Press, 01/1990.
"Simulating Performance on a Bowed Instrument",
Current Directions in Computer Music: MIT Press, 05/1988, 1989.
Coupled Structural-Acoustic Systems. Application to Stringed Instruments,
, no. STAN-M-119: Stanford University, Department of Music, 2004.
"Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology",
Journal of New Music Research, vol. 39, issue 1, 05/2010.
Distance of Sound in Reverberant Fields,
, vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.
Intelligent Analysis of Composite Acoustic Signals, Final Report,
, Stanford, California, Stanford University Department of Music, 05/1986.
Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report,
, no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti,
, no. STAN-M-64: Stanford University Department of Music, 1990.