Publications
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"On Estimating Room Impulse Responses From Recorded Balloon Pops",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010.
Abstract
"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals",
Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control,
, vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
"Optimizing Differentiated Discretization for Audio Circuits Beyond Driving Point Transfer Functions",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, 10/2017.
Abstract
"Openmixer: a routing mixer for multichannel studios",
Linux Audio Conference 2010, Utrech, The Netherlands, 5/2010.
Abstract
"On Finding Rythmic Patterns in Musical Lines",
ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer",
Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
On the Loudness of Complex, Time-Variant Tones,
, Stanford, CA, Stanford University, CCRMA, 1975.
"On the Minimum-phase Nature of Head-Related Transfer Functions",
the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
Abstract
"On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis",
Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work),
, Stanford, CA, Stanford University, CCRMA, 03/1988.
Overview, September 1994,
, Stanford, CA, Stanford University, CCRMA, 09/1994.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
"Ocarina: Designing the iPhone's Magic Flute",
Computer Music Journal, vol. 38, issue 2, 05/2014.
Abstract
"On-the-fly Programming: Using Code as an Expressive Musical Instrument",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
