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"Modeling Music Notation: A Three-Dimensional Approach", Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
"Modeling Musical Transitions", Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio, , Stanford, California, Stanford University, 10/1995.
Music Applications of Digital Waveguides, : Stanford University, 1987.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti, , no. STAN-M-64: Stanford University Department of Music, 1990.
"Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance", Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008.
"Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008.
"maps and legends: FPS-Based Interfaces For Composition and Immersive Performance", International Computer Music Conference, Copenhagen, Denmark, 2007.
"A Method for Estimating Interaural Time Difference for Binaural Synthesis", the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
"Methods For Extending Room Impulse Responses Beyond Their Noise Floor", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
"Methods for Simulating String Collisions with Rigid Spatial Objects", Proc. IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, New Paltz, NY, New York, IEEE Press, oct, 2003.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh", Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
MoMu: A Mobile Music Toolkit, , Sydney, Australia, 06/2010.
"Musical Influence Network Analysis and Rank of Sampled-Based Music", 12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.