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Wang, G., D. Trueman, S. Smallwood, and P. Cook, "The Laptop Orchestra as Classroom", Computer Music Journal, pp. 32(1):26-37, 2008. Abstract
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Nam, J., J. Herrera, M. Slaney, and J. Smith, "Learnng Sparse Feature Representations For Music Annotation And Retrieval", 13th International Society for Music Information Retrieval Conference, Porto, Portugal, 10/2012. Abstract
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Meacham, A., S. Kannan, and G. Wang, "The Laptop Accordion", New Interfaces for Musical Expression, Brisbane, Australia, 07/2016. Abstract
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Huang, P., and J. O. Smith III, "Loudness-Based Display and Analysis Applied to Artificial Reverberation", Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
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Holland, S., Learning About Harmony with Harmony Space: an Overview, , Stanford, CA, CCRMA, 09/1994.
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Cook, P., "LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
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Abel, J. S., and K. J. Werner, "Live Auralization of Cappella Romana at the Bing Concert Hall, Stanford University", Aural Architecture in Byzantium: Music, Acoustics, and Ritual: Routledge, 2017. Abstract
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Introduction to Creating Electronic Sound
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