Publications
] Filters: First Letter Of Title is I [Clear All Filters]
"Introduction to Digital Filter Theory",
Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
"An Introduction to the Phase Vocoder",
Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.
"An Improved and Generalized Diode Clipper Model for Wave Digital Filters",
139th Convention of the Audio Engineering Society (AES), New York, New York, October/2015.
Abstract
Impulse Response Measurement Toolbox,
, 2008.
"Impulse Response Measurements in the Presence of Clock Drift",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"Inducing Unusual Dynamics in Acoustic Musical Instruments",
Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
"Inferring Control Inputs to an Acoustic Violin from Audio Spectra",
Proc. Int. Conf. Multimedia Eng., New York, IEEE Press, 2003.
"Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates",
IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013.
Abstract
"Interactive User-Feedback for Sound Source Separation",
International Conference on Intelligent User-Interfaces (IUI), Workshop on Interactive Machine Learning, Santa Monica, 03/2013.
Abstract
"ISSE: An Interactive Source Separation Editor",
CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
Abstract
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers",
IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
Abstract
"Interactive Network Media: A Dream Worth Dreaming?",
Organised Sound, pp. 10(3)209-219, 2007.
Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters,
, no. STAN-M-50: Stanford University Department of Music, 05/1988.
Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report,
, no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
Intelligent Analysis of Composite Acoustic Signals, Final Report,
, Stanford, California, Stanford University Department of Music, 05/1986.
Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report,
, no. STAN-M-15: Stanford University Department of Music, 1984.
"Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing",
Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
"Impact of MIDI on Electroacoustic Art Music",
Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
The Influence of Nonharmonic Partials on Tone Perception,
, vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation",
Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"Interactive Sound Source Separation",
Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014.
Abstract
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
