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"Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action",
Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
High Level Factors and the Musical Saliency of Auditory Phenomena,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
History and Principles of Microtonal Keyboard Design,
, Stanford, CA, Stanford University, CCRMA, 04/1988.
"Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work",
International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
"A History of Programming and Music",
Cambridge Companion to Electronic Music: Cambridge University Press, 2008.
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Winter Quarter 2021
1A Music, Mind, & Human Behavior
101 Introduction to Creating Electronic Sound
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
285 Intermedia Lab
320B Introduction to Audio Signal Processing Part II: Digital Filters
422 Perceptual Audio Coding
451A Basics in Auditory and Music Neuroscience