Publications
] Filters: First Letter Of Title is A [Clear All Filters]
"Active Damping of a Vibrating String",
Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.
"Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure",
Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), Graz, Austria, 09/2010.
Abstract
"Audio FFT Filter Banks",
Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.
"Alias-free virtual analog oscillators using a feedback delay loop",
the 12th Int. Conference on Digital Audio Effects, Como, Italy, 09/2009.
Abstract
"An Allpass Approach to Digital Phasing and Flanging",
International Computer Music Conference, Paris, 1984.
"Alias-suppressed oscillators based on differentiated polynomial waveforms",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology",
Journal of New Music Research, vol. 39, issue 1, 05/2010.
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones",
J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
Absolute Memory for Musical Pitch: More Than The Melody Lingers On,
, Stanford, CA, Stanford University, CCRMA, 06/1992.
AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling,
, no. STAN-M-118: Stanford University, Department of Music, 2004.
The Aquisition of Musical Percepts with a New Scale,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
Auditory Distance Perception Under Natural Sounding Conditions, Final Report,
, no. STAN-M-12: Stanford University Department of Music, 1982.
Automatic Species Counterpoint,
, Stanford, CA, CCRMA, 05/1984.
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design",
Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
