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Wang, G., P. R. Cook, and S. Salazar, "ChucK: A Strongly-timed Computer Music Language", Computer Music Journal, vol. 39, issue 4, 12/2015. Abstract
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Wang, G., "Designing Smule's iPhone Ocarina", New Interfaces for Musical Expression, Pittsburgh, 2009. Abstract
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Wang, G., "Ocarina: Designing the iPhone's Magic Flute", Computer Music Journal, vol. 38, issue 2, 05/2014. Abstract
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Smith III, J. O., "Techniques for Digital Filter Design and System Identification with Application to the Violin", Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
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Scavone, G. P., "An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design", Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
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Oppenheim, D. V., "DMIX- A Multi Faceted Environment for Composing and Performing Computer Music: Its Design, Philosophy, and Implementation", Fourth Biennial Arts and Technology Symposium, Stanford, CA, CCRMA, 10/1993.
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Meacham, A., S. Kannan, and G. Wang, "The Laptop Accordion", New Interfaces for Musical Expression, Brisbane, Australia, 07/2016. Abstract
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Keisler, D., History and Principles of Microtonal Keyboard Design, , Stanford, CA, Stanford University, CCRMA, 04/1988.
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Fiebrink, R., G. Wang, and P. R. Cook, "Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control", A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017. Abstract
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Diener, G., Designing Digital Instruments with Hierarchical Waveguide Networks, , Stanford, California, Stanford University, 05/1988.
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