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"Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.
Music Applications of Digital Waveguides, : Stanford University, 1987.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti, , no. STAN-M-64: Stanford University Department of Music, 1990.
The Role of Psychoacoustics in Computer Music, , Stanford, CA, CCRMA, 06/1987.
TTREES: An Active Data Structure for Computer Music, , Stanford, California, Stanford University, 05/1988.
"Alias-suppressed oscillators based on differentiated polynomial waveforms", IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
"The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.
"Interactive Network Media: A Dream Worth Dreaming?", Organised Sound, pp. 10(3)209-219, 2007.
"Compositional Tools for Adding Expression to Music", International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.