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1987
Lo, Y. O., "Towards a Theory of Timbre", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-42, Stanford, CA, Stanford University, 08/1987.
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2002
Lu, H. - L., "Toward a High-Quailty Singing Synthesizer with Vocal Texture Control", Electrical Engineering, vol. Ph.D., no. STAN-M-111, Stanford, CA, Stanford University, 07/2002.
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1988
Mathews, M. V., Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements, , Stanford, CA, Stanford University, CCRMA, 05/1988.
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Mathews, M. V., and D. Barr, The Conductor Program and Mechanical Baton, , Stanford, CA, Stanford University, CCRMA, 05/1988.
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1987
Mathews, M. V., and J. R. Pierce, The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.
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Mathews, M. V., and J. R. Pierce, "The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.
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1991
Mellinger, D. K., "Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
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1977
Moore, F. R., "Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
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1975
Moorer, J. A., On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
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1987
Pierce, J. R., and E. D. Schubert, High Level Factors and the Musical Saliency of Auditory Phenomena, , Stanford, CA, Stanford University, CCRMA, 07/1987.
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1975
Moorer, J. A., "On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
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1976
Moorer, J. A., "The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae", Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
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1985
Schloss, W. A., "On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis", Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
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1990
Schumacher, R. T., and C. Chafe, "Characterization of Aperiodicity in Nearly Periodic Signals", International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
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1989
Serra, X., "A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition", Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
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1988
Serra, X., An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds, , Stanford, CA, Stanford University, CCRMA, 05/1988.
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Serra, X., and P. Wood, OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work), , Stanford, CA, Stanford University, CCRMA, 03/1988.
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1987
Smith III, J. O., and X. Serra, "PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation", International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
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1994
Wang, A. L. - C., and J. O. Smith III, On Fast FIR Filters Implemented as Tail-Canceling IIR Filters, , Stanford, CA, Stanford University, CCRMA, 11/1994.
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1996
Igoudin, A., and J. O. Smith III, CCRMA Report, May 1996, , Stanford, CA, Stanford University, CCRMA, 05/1996.
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2000
Leistikow, R., and G. P. Scavone, CCRMA Overview, April 2000, , Stanford, CA, Stanford University, CCRMA, 04/2000.
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1995
Moreno, E., "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
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2001
Nichols, C., CCRMA Overview, July 2001, , Stanford, CA, Stanford University, CCRMA, 07/2001.
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1993
Oppenheim, D. V., Towards a Better Software-Design for Supporting Creative Musical Activity (CMA), , Stanford, CA, Stanford University, CCRMA, 10/1993.
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1996
Scavone, G. P., CCRMA Publications, 1970-1995, , Stanford, CA, Stanford University, CCRMA, 01/1996.
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1997
Scavone, G. P., "An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design", Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
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1998
Scavone, G. P., CCRMA Overview, January 1998, , Stanford, CA, Stanford University, 01/1998.
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1999
Scavone, G. P., CCRMA Overview, February 1999, , Stanford, CA, Stanford University, CCRMA, 02/1999.
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2002
Scavone, G. P., CCRMA Overview, April 2002, , Stanford, CA, Stanford University, CCRMA, 04/2002.
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1984
Schottstaedt, B., PLA - A Tutorial and Reference Manual, , Stanford, CA, Stanford University, CCRMA, 12/1984.
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1986
Smith III, J. O., "Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters", IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
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1994
Wang, A. L. - C., "Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation", Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
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Van Duyne, S. A., and P. Wood, Overview, September 1994, , Stanford, CA, Stanford University, CCRMA, 09/1994.
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1986
Mont-Reynaud, B., The Bounded-Q approach to time-varying spectral analysis, , Stanford, CA, Stanford University, CCRMA, 1986.
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1995
Lopez-Lezcano, F., "PadMaster: an improvisation environment for real time performance", International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
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1996
Lopez-Lezcano, F., "PadMaster: banging on algorithms with alternative controllers", International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
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1997
Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.
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1998
Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
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1999
Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.
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2001
Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, La Habana, Cuba, International Computer Music Association, 2001.
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Music 101 Introduction to Creating Electronic Sounds
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