Publications
"Towards a Theory of Timbre",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-42, Stanford, CA, Stanford University, 08/1987.
"Toward a High-Quailty Singing Synthesizer with Vocal Texture Control",
Electrical Engineering, vol. Ph.D., no. STAN-M-111, Stanford, CA, Stanford University, 07/2002.
Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
The Conductor Program and Mechanical Baton,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
The Aquisition of Musical Percepts with a New Scale,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
"The Computer as a Musical Instrument",
Scientific American, vol. 256, no. STAN-M-37, 1987.
"Event Formation and Separation in Musical Sound",
Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
"Real Time Interactive Computer Music Synthesis",
Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
On the Loudness of Complex, Time-Variant Tones,
, Stanford, CA, Stanford University, CCRMA, 1975.
High Level Factors and the Musical Saliency of Auditory Phenomena,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer",
Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
"The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae",
Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
"On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis",
Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
"Characterization of Aperiodicity in Nearly Periodic Signals",
International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
"A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition",
Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work),
, Stanford, CA, Stanford University, CCRMA, 03/1988.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation",
International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
"Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach",
Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
CCRMA Overview, July 2001,
, Stanford, CA, Stanford University, CCRMA, 07/2001.
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA),
, Stanford, CA, Stanford University, CCRMA, 10/1993.
CCRMA Publications, 1970-1995,
, Stanford, CA, Stanford University, CCRMA, 01/1996.
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design",
Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
CCRMA Overview, January 1998,
, Stanford, CA, Stanford University, 01/1998.
CCRMA Overview, February 1999,
, Stanford, CA, Stanford University, CCRMA, 02/1999.
CCRMA Overview, April 2002,
, Stanford, CA, Stanford University, CCRMA, 04/2002.
PLA - A Tutorial and Reference Manual,
, Stanford, CA, Stanford University, CCRMA, 12/1984.
"Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters",
IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation",
Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
Overview, September 1994,
, Stanford, CA, Stanford University, CCRMA, 09/1994.
The Bounded-Q approach to time-varying spectral analysis,
, Stanford, CA, Stanford University, CCRMA, 1986.
"PadMaster: an improvisation environment for real time performance",
International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
"PadMaster: banging on algorithms with alternative controllers",
International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"CCRMA Studio Report",
International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.
"CCRMA Studio Report",
International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
"CCRMA Studio Report",
International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.
"CCRMA Studio Report",
International Computer Music Conference, La Habana, Cuba, International Computer Music Association, 2001.
