Publications
Intelligent Analysis of Composite Acoustic Signals, Final Report,
, Stanford, California, Stanford University Department of Music, 05/1986.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti,
, no. STAN-M-64: Stanford University Department of Music, 1990.
Simulation of Music Instrument Tones in Reverberant Environments, Final Report,
: Stanford University Department of Music, 05/1978.
The Influence of Nonharmonic Partials on Tone Perception,
, vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters,
, no. STAN-M-50: Stanford University Department of Music, 05/1988.
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
"Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work",
International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
"Spectral Fusion, Spectral Parsing and the Formation of Auditory Images",
Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
Reverberation Cancellation in Musical Signals Using Adaptive Filters,
, no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada",
International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan",
International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
"An Allpass Approach to Digital Phasing and Flanging",
International Computer Music Conference, Paris, 1984.
"Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract",
International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
Music Applications of Digital Waveguides,
: Stanford University, 1987.
"Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion",
Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
"Modeling Musical Transitions",
Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
"Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction",
Department of Music, vol. Ph.D., no. STAN-M-96: Stanford University, 12/1995.
"Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices",
Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.
Designing Digital Instruments with Hierarchical Waveguide Networks,
, Stanford, California, Stanford University, 05/1988.
TTREES: An Active Data Structure for Computer Music,
, Stanford, California, Stanford University, 05/1988.
"NUTATION: Structural Organization Versus Graphical Generality in a Common Music",
International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
"Modeling Music Notation: A Three-Dimensional Approach",
Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control,
, vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
"Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action",
Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio,
, Stanford, California, Stanford University, 10/1995.
"Perception of Attack Transients in Musical Tones",
Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
"An Introduction to the Phase Vocoder",
Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.
"An Exploration of Musical Timbre",
Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
"Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments",
Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
"Impact of MIDI on Electroacoustic Art Music",
Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
"Ensemble Timing in Computer Music",
International Computer Music Conference, no. STAN-M-23, Eastman School of Music, Rochester, N.Y., 1983.
"Spectrum Analysis Tutorial - Parts I and II",
Computer Music Journal, vol. 11, issue 2-3, no. STAN-M-33, 1987.
History and Principles of Microtonal Keyboard Design,
, Stanford, CA, Stanford University, CCRMA, 04/1988.
"Psychoacoustic Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity",
Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
Recognition of Complex Auditory-Spatial Patterns,
, Stanford, CA, Stanford University, CCRMA, 06/1991.
Temporal Constraints on Apparent Motion in Auditory Space,
, Stanford, CA, Stanford University, CCRMA, 11/1991.
Absolute Memory for Musical Pitch: More Than The Melody Lingers On,
, Stanford, CA, Stanford University, CCRMA, 06/1992.
