Filters: Author is François G. Germain [Clear All Filters]
"Design Principles for Lumped Model Discretisation Using Möbius Transforms",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Speaker and Noise Independent Online Single Channel Speech Enhancement",
2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Brisbane, Australia, IEEE, 04/2015.
Abstract
"Fixed-rate Modeling of Audio Lumped Systems: A Comparison Between Trapezoidal and Implicit Midpoint Methods",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
"Optimizing Differentiated Discretization for Audio Circuits Beyond Driving Point Transfer Functions",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, 10/2017.
Abstract
"Uniform Noise Sequences for Nonlinear System Identification",
15th International Conference on Digital Audio Effects (DAFx-12), York, UK, 09/2012.
Abstract
"Equalization matching of speech recordings in real-world environments",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Shanghai, China, IEEE, 03/2016.
Abstract
"Speech Denoising with Deep Feature Losses",
arXiv:1806.10522, 06/2018.
Abstract
"Joint Parameter Optimization of Differentiated Discretization Schemes for Audio Circuits",
142nd International Convention of the Audio Engineering Society, Berlin, Germany, 05/2017.
Abstract
"Network Variable Preserving Step-size Control In Wave Digital Filters",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, United Kingdom, pp. 200–207, 09/2017.
Abstract
"Modeling the Hammond Organ Vibrato/Chorus with Wave Digital Filters",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Sinusoidal Parameter Estimation Using Quadratic Interpolation Around Power-Scaled Magnitude Spectrum Peaks",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
Search this site:
Winter Quarter 2024
101 Introduction to Creating Electronic Sound
106 Concert Production
153D Ensemble Sonification of Temporal Data
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
223Q Queer Electronic Music Composition
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
319 Research Seminar on Computational Models of Sound
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations