Filters: Author is Pierce, John R. [Clear All Filters]
The Aquisition of Musical Percepts with a New Scale,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
"The Computer as a Musical Instrument",
Scientific American, vol. 256, no. STAN-M-37, 1987.
High Level Factors and the Musical Saliency of Auditory Phenomena,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
"Simulating Performance on a Bowed Instrument",
Current Directions in Computer Music: MIT Press, 05/1988, 1989.
Search this site:
Winter Quarter 2018
101 Introduction to Creating Electronic Sound
192B Advanced Sound-Recording Technology
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250A Physical Interaction Design for Music
250C Interaction - Intermedia - Immersion
253 Symbolic Musical Information
319 Research Seminar on Computational Models of Sound Perception
320B Introduction to Audio Signal Processing Part II: Digital Filters
420A Signal Processing Models in Musical Acoustics
422 Perceptual Audio Coding
451C Auditory EEG Research III: Coordinated Actions and Hyper-scanning