Filters: Author is Nicholas Bryan [Clear All Filters]
"Stanford Laptop Orchestra (SLOrk)",
International Computer Music Conference, Montreal, 08/2009.
Abstract
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers",
IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
Abstract
"Evolving The Mobile Phone Orchestra",
International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010.
Abstract
"Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure",
Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), Graz, Austria, 09/2010.
Abstract
"Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates",
IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013.
Abstract
"Musical Influence Network Analysis and Rank of Sampled-Based Music",
12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.
Abstract
"Methods For Extending Room Impulse Responses Beyond Their Noise Floor",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"Interactive Sound Source Separation",
Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014.
Abstract
"An Efficient Posterior Regularized Latent Variable Model for Interactive Sound Source Separation",
International Conference on Machine Learning, Atlanta, GA, 06/2013.
Abstract
"User-Guided Variable-Rate Time-Stretching Via Stiffness Control",
15th International Conference on Digital Audio Effects, York, United Kingdom, 09/2012.
Abstract
MoMu: A Mobile Music Toolkit,
, Sydney, Australia, 06/2010.
Abstract
"Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano-Roll Display",
International Society for Music Information Retrieval Conference, Curitiba, 11/2013.
Abstract
"Interactive User-Feedback for Sound Source Separation",
International Conference on Intelligent User-Interfaces (IUI), Workshop on Interactive Machine Learning, Santa Monica, 03/2013.
Abstract
"Two Turntables and a Mobile Phone",
International Conference on New Interfaces for Musical Expression, Oslo, Norway, 05/2011.
Abstract
"Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012.
Abstract
"Impulse Response Measurements in the Presence of Clock Drift",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"ISSE: An Interactive Source Separation Editor",
CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
Abstract
"A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements",
127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009.
Abstract
"On Estimating Room Impulse Responses From Recorded Balloon Pops",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010.
Abstract
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Winter Quarter 2024
101 Introduction to Creating Electronic Sound
106 Concert Production
153D Ensemble Sonification of Temporal Data
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
223Q Queer Electronic Music Composition
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
319 Research Seminar on Computational Models of Sound
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations