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"Introduction to Digital Filter Theory", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
"An Introduction to the Phase Vocoder", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.
"Active Damping of a Vibrating String", Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.
"Audio FFT Filter Banks", Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada", International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong", International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece", International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"CCRMA Studio Report", International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.
"Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012.
"A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements", 127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009.
"The Dagstuhl Core", Knowledge representation for intelligent music processing, no. 09051, Dagstuhl, Germany, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany, 2009.
"Efficient Time-Varying Loudness Estimation via the Hopping Goertzel DFT", Proceedings of the IEEE International Midwest Symposium on Circuits and Systems (MWSCAS-2007), 2007.
"An electroacoustic sound transmission system that is stable in any (dissipative) acoustic environment: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
Impulse Response Measurement Toolbox, , 2008.
"Inducing Unusual Dynamics in Acoustic Musical Instruments", Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
"Inferring Control Inputs to an Acoustic Violin from Audio Spectra", Proc. Int. Conf. Multimedia Eng., New York, IEEE Press, 2003.
"Learnng Sparse Feature Representations For Music Annotation And Retrieval", 13th International Society for Music Information Retrieval Conference, Porto, Portugal, 10/2012.
"Loudness-Based Display and Analysis Applied to Artificial Reverberation", Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
"A Method for Estimating Interaural Time Difference for Binaural Synthesis", the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
"Methods for Simulating String Collisions with Rigid Spatial Objects", Proc. IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, New Paltz, NY, New York, IEEE Press, oct, 2003.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh", Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
"More Cowbell: a Physically-Informed, Circuit-Bendable, Digital Model of the TR-808 Cowbell", 137th International Audio Engineering Society (AES) Conference, Los Angeles, CA, 10/2014.
"Non-negative Hidden Markov Modeling of Audio with Application to Source Separation", International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010.
"Openmixer: a routing mixer for multichannel studios", Linux Audio Conference 2010, Utrech, The Netherlands, 5/2010.
"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals", Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
"A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit", 17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, 09/2014.
"Relative Pitch Estimation of Multiple Instruments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009.
"Restoring a Clipped Signal", Proc. Int. Conf. Acoustics, Speech, and Signal Processing, Toronto, New York, IEEE Press, 1991.
"Simulation of Recruiting Hearing Impairment Using a Tree-Structured Allpass-Complementary ERB-Band Filter Bank", IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, Demo Session, New Paltz, NY, pp. [TD1-8], oct, 2007.
"A Sine Generation Algorithm for VLSI Applications", Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.
"A Tangible Virtual String", Proc. 2008 Conf. on New Instruments for Musical Expression (NIME-08), Geneva, Italy, 2008.
"Techniques for Note Identification in Polyphonic Music", Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
"The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model", 40th International Computer Music Conference (ICMC) / 11th Sound and Music Computing Conference (SMC), Athens, Greece, 09/2014.
"Virtual Electric Guitars and Effects Using Faust and Octave", Proc. 6th Int. Linux Audio Conf. (LAC2008), http://lac.linuxaudio.org/, vol. 33, no. 3, Toronto, Canada, Systems Control Tech., pp. 1–10, Winter, 2008.
"A Waveguide Mesh Model of High-Frequency Violin Body Resonances", Proc. 2000 Int. Computer Music Conf., Berlin, aug, 2000.
"Waveguide Mesh Reverberator with Internal Decay and Diffusion Structures", Proceedings of the 123rd Convention of the Audio Engineering Society, New York, preprint 7194, 2007.
"“Separation by Humming”: User Guided Sound Extraction from Monophonic Mixtures", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 2009.
"Alias-free virtual analog oscillators using a feedback delay loop", the 12th Int. Conference on Digital Audio Effects, Como, Italy, 09/2009.
"An Allpass Approach to Digital Phasing and Flanging", International Computer Music Conference, Paris, 1984.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.