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Strawn, J., "Modeling Musical Transitions", Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
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Smith III, J. O., and X. Serra, "PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation", International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
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Smith III, J. O., "Physical Modeling Using Digital Waveguides", Computer Music Journal, vol. 16, issue 4, 12/1992.
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Smith III, J. O., Making Virtual Electric Guitars and Associated Effects Using Faust [DRAFT], , dec, 2007.
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Smith III, J. O., "An Allpass Approach to Digital Phasing and Flanging", International Computer Music Conference, Paris, 1984.
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Smith III, J. O., "Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters", IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
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Smith III, J. O., D. Rochesso, S. van Duyne, D. P. Berners, G. P. Scavone, P. Cook, J. R. Pierce, B. Gillespie, F. Lopez-Lezcano, J. Chomyszyn, et al., CCRMA Papers Presented at the 1994 International Computer Music Conference, Arhus, Denmark, , 09/1994.
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Smith III, J. O., "A New Approach to Digital Reverberation Using Closed Waveguide Networks", International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
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Smith III, J. O., "Audio FFT Filter Banks", Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.
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Smith III, J. O., Music Applications of Digital Waveguides, : Stanford University, 1987.
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Smith III, J. O., "Techniques for Digital Filter Design and System Identification with Application to the Violin", Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
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Smith III, J. O., "Introduction to Digital Filter Theory", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
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Smith III, J. O., FIR Digital Filter Design, , Winter, 1992.
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Smith III, J. O., Signal Processing in Faust and Pd, , nov, 2007.
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Smith III, J. O., "Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion", Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
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Smith III, J. O., "Proceedings of the 15th International Congress on Acoustics", International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
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Smaragdis, P., and G. J. Mysore, "“Separation by Humming”: User Guided Sound Extraction from Monophonic Mixtures", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 2009. Abstract
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Smallwood, S., D. Trueman, P. Cook, and G. Wang, "Composing for Laptop Orchestra", Computer Music Journal, pp. 32(1):9-25, 2008. Abstract
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Sheeline, C., "An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
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Serra, X., "A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition", Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
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Serra, X., An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds, , Stanford, CA, Stanford University, CCRMA, 05/1988.
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Serra, X., and P. Wood, OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work), , Stanford, CA, Stanford University, CCRMA, 03/1988.
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Schumacher, R. T., and C. Chafe, "Characterization of Aperiodicity in Nearly Periodic Signals", International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
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Schottstaedt, B., Automatic Species Counterpoint, , Stanford, CA, CCRMA, 05/1984.
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Schottstaedt, B., PLA - A Tutorial and Reference Manual, , Stanford, CA, Stanford University, CCRMA, 12/1984.
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Schloss, W. A., "On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis", Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
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Scavone, G. P., "The 2003 CCRMA Open House", CCRMA Overview, April 2003, 2003.
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Scavone, G. P., CCRMA Overview, February 1999, , Stanford, CA, Stanford University, CCRMA, 02/1999.
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Scavone, G. P., CCRMA Publications, 1970-1995, , Stanford, CA, Stanford University, CCRMA, 01/1996.
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Scavone, G. P., CCRMA Overview, April 2002, , Stanford, CA, Stanford University, CCRMA, 04/2002.
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Scavone, G. P., CCRMA Overview April 2003, , Stanford, CA, CCRMA, 04/2003.
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Scavone, G. P., "An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design", Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
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Scavone, G. P., CCRMA Overview, January 1998, , Stanford, CA, Stanford University, 01/1998.
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Sanganeria, M., and K. J. Werner, "Grain Proc: a Real-Time Granular Synthesis Interface for Live Performance", NIME, Daejeon, Korea, 05/2013. Abstract
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Fall Courses at CCRMA

Music 101 Introduction to Creating Electronic Sounds
Music 192A Foundations in Sound Recording Technology
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
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