Publications

List
Filter

Export 112 results:

Filters: First Letter Of Last Name is S [Clear All Filters]

A B C D E F G H I J K L M N O P Q R [S] T U V W X Y Z [Show ALL]

Abel, J. S., N. Bryan, T. Skare, M. Kolar, P. Huang, D. Mostowfi, and J. O. Smith III, "A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements", 127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009. Abstract

Smallwood, S., D. Trueman, P. Cook, and G. Wang, "Composing for Laptop Orchestra", Computer Music Journal, pp. 32(1):9-25, 2008. Abstract

Bryan, N., P. Smaragdis, and G. Mysore, "Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012. Abstract

Wang, G., P. R. Cook, and S. Salazar, "ChucK: A Strongly-timed Computer Music Language", Computer Music Journal, vol. 39, issue 4, 12/2015. Abstract

Schumacher, R. T., and C. Chafe, "Characterization of Aperiodicity in Nearly Periodic Signals", International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.

Wright, M., J. Berger, C. Burns, F. Lopez-Lezcano, and J. O. Smith III, "CCRMA Studio Report", International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.

Igoudin, A., and J. O. Smith III, CCRMA Report, May 1996, , Stanford, CA, Stanford University, CCRMA, 05/1996.

Scavone, G. P., CCRMA Publications, 1970-1995, , Stanford, CA, Stanford University, CCRMA, 01/1996.

Berger, J., C. Chafe, A. Igoudin, D. A. Jaffe, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, P. Scandalis, G. P. Scavone, et al., "CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece", International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.

Chafe, C., A. Igoudin, D. A. Jaffe, M. Karjalainen, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, N. Porcaro, W. Putnam, et al., "CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong", International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.

Bauman, M. L., D. P. Berners, C. Chafe, P. Cook, D. A. Jaffe, T. Kunze, F. Lopez-Lezcano, G. P. Scavone, J. O. Smith III, T. Stilson, et al., "CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada", International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.

Smith III, J. O., D. Rochesso, S. van Duyne, D. P. Berners, G. P. Scavone, P. Cook, J. R. Pierce, B. Gillespie, F. Lopez-Lezcano, J. Chomyszyn, et al., CCRMA Papers Presented at the 1994 International Computer Music Conference, Arhus, Denmark, , 09/1994.

Chafe, C., P. Cook, Morrill, J. O. Smith III, and S. van Duyne, "CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.

Cook, P., S. Hirschman, and J. O. Smith III, "CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.

Scavone, G. P., CCRMA Overview, January 1998, , Stanford, CA, Stanford University, 01/1998.

Scavone, G. P., CCRMA Overview, February 1999, , Stanford, CA, Stanford University, CCRMA, 02/1999.

Scavone, G. P., CCRMA Overview, April 2002, , Stanford, CA, Stanford University, CCRMA, 04/2002.

Leistikow, R., and G. P. Scavone, CCRMA Overview, April 2000, , Stanford, CA, Stanford University, CCRMA, 04/2000.

Scavone, G. P., CCRMA Overview April 2003, , Stanford, CA, CCRMA, 04/2003.

Werner, K. J., and M. Sanganeria, "Bit Bending: an Introduction", International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, 09/2013. Abstract

Schottstaedt, B., Automatic Species Counterpoint, , Stanford, CA, CCRMA, 05/1984.

Chowning, J., and C. Sheeline, Auditory Distance Perception Under Natural Sounding Conditions, Final Report, , no. STAN-M-12: Stanford University Department of Music, 1982.

Liu, Y. - W., and J. O. Smith III, "Audio Watermarking through Deterministic plus Stochastic Signal Decomposition", EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007. Abstract

Smith III, J. O., "Audio FFT Filter Banks", Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.

George, E. B., and M. J. T. Smith, "Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones", J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.

Abe, M., and J. O. Smith III, AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling, , no. STAN-M-118: Stanford University, Department of Music, 2004.

Smith III, J. O., "An Allpass Approach to Digital Phasing and Flanging", International Computer Music Conference, Paris, 1984.

Välimäki, V., J. Nam, J. O. Smith III, and J. S. Abel, "Alias-suppressed oscillators based on differentiated polynomial waveforms", IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010. Abstract

Nam, J., V. Välimäki, J. S. Abel, and J. O. Smith III, "Alias-free virtual analog oscillators using a feedback delay loop", the 12th Int. Conference on Digital Audio Effects, Como, Italy, 09/2009. Abstract

Berdahl, E., and J. O. Smith III, "Active Damping of a Vibrating String", Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.

Scavone, G. P., "An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design", Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.

Scavone, G. P., "The 2003 CCRMA Open House", CCRMA Overview, April 2003, 2003.

Search this site:

Fall Courses at CCRMA

Music 32N Stanford Introductory Seminar: Sculpting with Sounds, Images, and Words
Music 192A Foundations of Sound Recording Technology
Music 192C Session Recording
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 220D Research Topics in Computer Music
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320A Introduction to Digital Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 421N Deep Learning for Music and Audio
Music 451A Auditory EEG Research I

Main menu

Secondary menu

Publications

Search this site:

Fall Courses at CCRMA