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"Simulating Performance on a Bowed Instrument", Current Directions in Computer Music: MIT Press, 05/1988, 1989.
"Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012.
"A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements", 127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009.
"An Efficient Posterior Regularized Latent Variable Model for Interactive Sound Source Separation", International Conference on Machine Learning, Atlanta, GA, 06/2013.
"Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates", IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013.
"Interactive User-Feedback for Sound Source Separation", International Conference on Intelligent User-Interfaces (IUI), Workshop on Interactive Machine Learning, Santa Monica, 03/2013.
"ISSE: An Interactive Source Separation Editor", CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
"Non-negative Hidden Markov Modeling of Audio with Application to Source Separation", International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010.
"Relative Pitch Estimation of Multiple Instruments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009.
"Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano-Roll Display", International Society for Music Information Retrieval Conference, Curitiba, 11/2013.
"Techniques for Note Identification in Polyphonic Music", Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
"“Separation by Humming”: User Guided Sound Extraction from Monophonic Mixtures", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), 2009.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
"On Finding Rythmic Patterns in Musical Lines", ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
"SCUBA: the Self-Contained Unified Bass Augmenter", New Interfaces for Musical Expression, pp. 38–41, 2005.
"The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.
"Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008.
"The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae", Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.
The Bounded-Q approach to time-varying spectral analysis, , Stanford, CA, Stanford University, CCRMA, 1986.
Computer Simulation of Music Instrument Tones in Reverberant Environments, , no. STAN-M-1: Stanford University Department of Music, 1974.
The Conductor Program and Mechanical Baton, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report, , no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
Intelligent Analysis of Composite Acoustic Signals, Final Report, , Stanford, California, Stanford University Department of Music, 05/1986.
Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report, , no. STAN-M-15: Stanford University Department of Music, 1984.
On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Simulation of Music Instrument Tones in Reverberant Environments, Final Report, : Stanford University Department of Music, 05/1978.
"Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
"Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
"A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures", Music, vol. PhD: Stanford University, 06/2010.
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
"Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
"Spectral Fusion, Spectral Parsing and the Formation of Auditory Images", Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.