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Mathews, M. V., and J. R. Pierce, The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.
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Mathews, M. V., and J. R. Pierce, "The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.
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Mathews, M. V., Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements, , Stanford, CA, Stanford University, CCRMA, 05/1988.
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Mathews, M. V., and D. Barr, The Conductor Program and Mechanical Baton, , Stanford, CA, Stanford University, CCRMA, 05/1988.
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McAdams, S., "Spectral Fusion, Spectral Parsing and the Formation of Auditory Images", Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
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Meacham, A., S. Kannan, and G. Wang, "The Laptop Accordion", New Interfaces for Musical Expression, Brisbane, Australia, 07/2016. Abstract
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Mellinger, D. K., "Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
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Misra, A., G. Wang, and P. Cook, "Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008. Abstract
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Mont-Reynaud, B., The Bounded-Q approach to time-varying spectral analysis, , Stanford, CA, Stanford University, CCRMA, 1986.
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Mont-Reynaud, B., and M. Goldstein, "On Finding Rythmic Patterns in Musical Lines", ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
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Moore, F. R., "Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
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Moorer, J. A., On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
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Moorer, J. A., "The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae", Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
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Moorer, J. A., "On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
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Moreno, E., "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
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Mysore, G. J., "A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures", Music, vol. PhD: Stanford University, 06/2010.
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Mysore, G. J., and P. Smaragdis, "Relative Pitch Estimation of Multiple Instruments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009. Abstract
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Mysore, G. J., P. Smaragdis, and B. Raj, "Non-negative Hidden Markov Modeling of Audio with Application to Source Separation", International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010. Abstract
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Music 101 Introduction to Creating Electronic Sounds
Music 192A Foundations in Sound Recording Technology
Music 201 CCRMA Colloquium
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