Jump to Navigation

Main menu

  • Login
Home

Secondary menu

  • [Room Booking]
  • [Wiki]
  • [Webmail]

Publications

  • List
  • Filter
Export 18 results:
  • Tagged
  • XML
  • BibTex
Sort by: [ Author  (Asc)] Title Type Year
Filters: First Letter Of Last Name is M  [Clear All Filters]
A B C D E F G H I J K L [M] N O P Q R S T U V W X Y Z   [Show ALL]
M
Mathews, M. V., and J. R. Pierce, "The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Mathews, M. V., Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements, , Stanford, CA, Stanford University, CCRMA, 05/1988.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Mathews, M. V., and D. Barr, The Conductor Program and Mechanical Baton, , Stanford, CA, Stanford University, CCRMA, 05/1988.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Mathews, M. V., and J. R. Pierce, The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
McAdams, S., "Spectral Fusion, Spectral Parsing and the Formation of Auditory Images", Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Meacham, A., S. Kannan, and G. Wang, "The Laptop Accordion", New Interfaces for Musical Expression, Brisbane, Australia, 07/2016. Abstract
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Mellinger, D. K., "Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Misra, A., G. Wang, and P. Cook, "Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008. Abstract
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Mont-Reynaud, B., The Bounded-Q approach to time-varying spectral analysis, , Stanford, CA, Stanford University, CCRMA, 1986.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Mont-Reynaud, B., and M. Goldstein, "On Finding Rythmic Patterns in Musical Lines", ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Moore, F. R., "Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Moorer, J. A., On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Moorer, J. A., "The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae", Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Moorer, J. A., "On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Moreno, E., "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Mysore, G. J., and P. Smaragdis, "Relative Pitch Estimation of Multiple Instruments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009. Abstract
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Mysore, G. J., P. Smaragdis, and B. Raj, "Non-negative Hidden Markov Modeling of Audio with Application to Source Separation", International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010. Abstract
  • Tagged
  • XML
  • BibTex
  • Google Scholar
Mysore, G. J., "A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures", Music, vol. PhD: Stanford University, 06/2010.
  • Tagged
  • XML
  • BibTex
  • Google Scholar
  • Home
  • News and Events
    • All Events
      • CCRMA Concerts
      • Colloquium Series
      • DSP Seminars
      • Hearing Seminars
      • Guest Lectures
    • Event Calendar
    • Events Mailing List
    • Recent News
  • Academics
    • Courses
    • Current Year Course Schedule
    • Undergraduate
    • Masters
    • PhD Program
    • Visiting Scholar
    • Visiting Student Researcher
    • Workshops 2022
  • Research
    • Publications
      • Authors
      • Keywords
      • STAN-M
      • Max Mathews Portrait
    • Research Groups
    • Software
  • People
    • Faculty and Staff
    • Students
    • Alumni
    • All Users
  • User Guides
    • New Documentation
    • Booking Events
    • Common Areas
    • Rooms
    • System
  • Resources
    • Planet CCRMA
    • MARL
  • Blogs
  • Opportunities
    • CFPs
  • About
    • The Knoll
      • Renovation
    • Directions
    • Contact

Search this site:

Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations

 

 

 

   

CCRMA
Department of Music
Stanford University
Stanford, CA 94305-8180 USA
tel: (650) 723-4971
fax: (650) 723-8468
info@ccrma.stanford.edu

 
Web Issues: webteam@ccrma

site copyright © 2009 
Stanford University

site design: 
Linnea A. Williams