Publications
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"Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments",
Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada",
International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
Learning About Harmony with Harmony Space: an Overview,
, Stanford, CA, CCRMA, 09/1994.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh",
Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
"A Waveguide Mesh Model of High-Frequency Violin Body Resonances",
Proc. 2000 Int. Computer Music Conf., Berlin, aug, 2000.
"Loudness-Based Display and Analysis Applied to Artificial Reverberation",
Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
"maps and legends: FPS-Based Interfaces For Composition and Immersive Performance",
International Computer Music Conference, Copenhagen, Denmark, 2007.
Abstract
"Waveguide Mesh Reverberator with Internal Decay and Diffusion Structures",
Proceedings of the 123rd Convention of the Audio Engineering Society, New York, preprint 7194, 2007.
"Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance",
Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008.
Abstract
"q3osc: or How I Learned To Stop Worrying and Love The Game",
International Computer Music Conference, Belfast, Ireland, 2008.
Abstract
"To the Edge with China: Explorations in Network Performance",
ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.
"Building Interactive Networked Musical Environments Using q3osc",
AES 35th International Conference: Audio for Games, London, UK, 2009.
Abstract
"For Jean-Claude: [re]Presenting Duet for One Pianist",
International Computer Music Conference, Montreal, Canada, 08/2009.
Abstract
"Stanford Laptop Orchestra (SLOrk)",
International Computer Music Conference, Montreal, 08/2009.
Abstract
"Back To The Sea: A Software Realization of Dexter Morrill's "Sea Songs"",
International Computer Music Conference, Copenhagen, Denmark, 08/30/2007, 2009.
Abstract
"A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements",
127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009.
Abstract
"Discrete Time Emulation of the Leslie Speaker",
127th Audio Engineering Society Convention, New York, NY, USA, 10/2009.
Abstract
"An electroacoustic sound transmission system that is stable in any (dissipative) acoustic environment: An application of sound portholes",
NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
Abstract
"Evolving The Mobile Phone Orchestra",
International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010.
Abstract
MoMu: A Mobile Music Toolkit,
, Sydney, Australia, 06/2010.
Abstract
"On Estimating Room Impulse Responses From Recorded Balloon Pops",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010.
Abstract
"TweetDreams: Making music with the audience and the world using real-time Twitter data",
International Conference on New Interfaces For Musical Expression, Oslo, Norway, 05/2011.
Abstract
"Social Composition: Musical Data Systems for Expressive Mobile Music",
Leonardo Music Journal, vol. 21, 12/2011.
Abstract
"User-Guided Variable-Rate Time-Stretching Via Stiffness Control",
15th International Conference on Digital Audio Effects, York, United Kingdom, 09/2012.
Abstract
"Learnng Sparse Feature Representations For Music Annotation And Retrieval",
13th International Society for Music Information Retrieval Conference, Porto, Portugal, 10/2012.
Abstract
"World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music",
Journal of New Music Research, vol. 44, issue 2, 11/2014, 2015.
Abstract
