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Thesis

Diener, G., "Modeling Music Notation: A Three-Dimensional Approach", Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.

Dyer, An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control, , vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.

Report

Diener, G., Designing Digital Instruments with Hierarchical Waveguide Networks, , Stanford, California, Stanford University, 05/1988.

Diener, G., TTREES: An Active Data Structure for Computer Music, , Stanford, California, Stanford University, 05/1988.

Journal Article

Kapur, A., G. Wang, P. P. Davidson, and P. Cook, "Interactive Network Media: A Dream Worth Dreaming?", Organised Sound, pp. 10(3)209-219, 2007.

Conference Proceedings

Chafe, C., P. Cook, Morrill, J. O. Smith III, and S. van Duyne, "CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.

Smith III, J. O., D. Rochesso, S. van Duyne, D. P. Berners, G. P. Scavone, P. Cook, J. R. Pierce, B. Gillespie, F. Lopez-Lezcano, J. Chomyszyn, et al., CCRMA Papers Presented at the 1994 International Computer Music Conference, Arhus, Denmark, , 09/1994.

Diener, G., "NUTATION: Structural Organization Versus Graphical Generality in a Common Music", International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.

Cook, P., B. Gillespie, J. O. Smith III, Tanaka, and S. van Duyne, Physical Modeling and Signal Processing: CCRMA Papers Presented at the 1992 International Computer Music Conference, San Jose, CA, , no. STAN-M-80, oct, 1992.

Conference Paper

Chafe, C., A. Igoudin, D. A. Jaffe, M. Karjalainen, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, N. Porcaro, W. Putnam, et al., "CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong", International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.

Berger, J., C. Chafe, A. Igoudin, D. A. Jaffe, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, P. Scandalis, G. P. Scavone, et al., "CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece", International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.

Dumitrescu, T., J. Kepper, A. Kornstaedt, D. Röwenstruck, P. Roland, C. Sapp, and E. Selfridge-Field, "The Dagstuhl Core", Knowledge representation for intelligent music processing, no. 09051, Dagstuhl, Germany, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany, 2009. Abstract

Dunkel, R. W., M. Rest, K. J. Werner, M. J. Olsen, and J. O. Smith III, "The Fender Bassman 5F6-A Family of Preamplifier Circuits—A Wave Digital Filter Case Study", International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016. Abstract

Werner, K. J., R. W. Dunkel, and F. G. Germain, "Modeling the Hammond Organ Vibrato/Chorus with Wave Digital Filters", International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016. Abstract

Rest, M., R. W. Dunkel, K. J. Werner, and J. O. Smith III, "RTWDF—A modular wave digital filter library with support for arbitrary topologies and multiple nonlinearities", International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016. Abstract

Dahl, L., J. Herrera, and C. Wilkerson, "TweetDreams: Making music with the audience and the world using real-time Twitter data", International Conference on New Interfaces For Musical Expression, Oslo, Norway, 05/2011. Abstract

Germain, F. G., J. S. Abel, P. Depalle, and M. M. Wanderley, "Uniform Noise Sequences for Nonlinear System Identification", 15th International Conference on Digital Audio Effects (DAFx-12), York, UK, 09/2012. Abstract

Werner, K. J., R. W. Dunkel, M. Rest, M. J. Olsen, and J. O. Smith III, "Wave Digital Filter Modeling of Circuits with Operational Amplifiers", European Signal Processing Conference (EUSIPCO), Budapest, Hungary, 08/2016. Abstract

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Music 101 Introduction to Creating Electronic Sounds
Music 128 Composing, Coding, and Performance with SLOrk
Music 150 Musical Acoustics
Music 150P The Changing World of Popular Music
Music 192C Session Recording
Music 220C Research Seminar in Computer-Generated Music
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