Publications
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"The Simulation of Moving Sound Sources",
Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971.
Abstract
"The Synthesis of Complex Audio Spectra by Means of Frequency Modulation",
Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 21 (7), 526-534., 1973.
Abstract
Computer Simulation of Music Instrument Tones in Reverberant Environments,
, no. STAN-M-1: Stanford University Department of Music, 1974.
Simulation of Music Instrument Tones in Reverberant Environments, Final Report,
: Stanford University Department of Music, 05/1978.
The Influence of Nonharmonic Partials on Tone Perception,
, vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
Auditory Distance Perception Under Natural Sounding Conditions, Final Report,
, no. STAN-M-12: Stanford University Department of Music, 1982.
Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report,
, no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report,
, no. STAN-M-15: Stanford University Department of Music, 1984.
"Techniques for Note Identification in Polyphonic Music",
Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
Bowed String Synthesis and Its Control From a Physical Model,
, no. STAN-M-32, replaced by STAN-M-48: Stanford University Department of Music, 07/1985.
"Source Separation and Note Identification in Polyphonic Music",
Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tokyo, no. STAN-M-34, New York, IEEE Press, 1986.
Intelligent Analysis of Composite Acoustic Signals, Final Report,
, Stanford, California, Stanford University Department of Music, 05/1986.
Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters,
, no. STAN-M-50: Stanford University Department of Music, 05/1988.
Reverberation Cancellation in Musical Signals Using Adaptive Filters,
, no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
"Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work",
International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
"Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract",
International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
"Simulating Performance on a Bowed Instrument",
Current Directions in Computer Music: MIT Press, 05/1988, 1989.
"Characterization of Aperiodicity in Nearly Periodic Signals",
International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti,
, no. STAN-M-64: Stanford University Department of Music, 1990.
"Pulsed Noise in Self-Sustained Oscillations of Musical Instruments",
Proceddings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, no. STAN-M-61, New York, IEEE Press, 01/1990.
"Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing",
Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
Pulsed Noise and Microtransients in Physical Models of Musical Instruments,
, no. STAN-M-65: Stanford University Department of Music, sep, 1990.
"LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument",
International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
"Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices",
Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada",
International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan",
International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
A Generalized Approach to Automatic Recognition of Music Scores,
, no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
Distance of Sound in Reverberant Fields,
, vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
Coupled Structural-Acoustic Systems. Application to Stringed Instruments,
, no. STAN-M-119: Stanford University, Department of Music, 2004.
"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals",
Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
"SCUBA: the Self-Contained Unified Bass Augmenter",
New Interfaces for Musical Expression, pp. 38–41, 2005.
"Combining Analysis and Synthesis in the ChucK Programming Language",
International Computer Music Conference, Copenhagen, 2007.
Abstract
"Efficient Time-Varying Loudness Estimation via the Hopping Goertzel DFT",
Proceedings of the IEEE International Midwest Symposium on Circuits and Systems (MWSCAS-2007), 2007.
"Interactive Network Media: A Dream Worth Dreaming?",
Organised Sound, pp. 10(3)209-219, 2007.
"Simulation of Recruiting Hearing Impairment Using a Tree-Structured Allpass-Complementary ERB-Band Filter Bank",
IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, Demo Session, New Paltz, NY, pp. [TD1-8], oct, 2007.
